Visual Music

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on October 13, 2005

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Oskar Fishinger: Motion Paintings - Goethe Institut Washington - October 2005

Visual Music History

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Maura McDonnell: Maura McDonnell is a visual music artist and researcher based in Ireland. She creates visuals for new music and electronic music concerts, fixed media and installation productions. The medium of choice is visual effects and generative effects video and the style of her work is abstract. The meaningfulness that she seeks in her work is to explore the emotional, musical and evocativeness potential of music in a shared similarly crafted visual world. Maura also lectures on the M.Phil in Music Media Technology Masters Course at Trinity College, Dublin, Ireland and support students to engage with visual music in their own works. Please get in touch if you would like to include your work or research on this blog.

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Contact - Augmented Acoustics

Felix Faire (UK), a Parametric System Designer had designed some very interesting interactive installations. One of these, Contact is an interface with which to manipulate and visualize sounds. Beautiful results. View Contact: Augmented Acoustics CONTACT: Augmented Acoustics from Felix Faire on Vimeo . "CONTACT is a tangible audio interface to manipulate and visualize sounds generated from interaction with a simple wooden surface. Any physical contact with the table generates acoustic vibrations which are manipulated and visualized LIVE as they occur using several communicating pieces of software. All code will be opensource and available on github. Bartlett School of Architecture Msc AAC Tutor: Ruairi Glynn" More information: http://www.coroflot.com/felixfaire/profile Vimeo Channel: https://vimeo.com/felixfaire

Ryoichi Kurokawa - Japan - audiovisual artist

"Ryoichi Kurokawa is a japanese audiovisual artist. His works take on multiple forms such as screening works, recordings, installation and live performance. Kurokawa composes time based sculpture with digital generated materials and field recorded sources, and the minimal and the complexities coexist there. Kurokawa accepts sound and imagery as a unit not as separately, and constructs very exquisite and precise computer based works with the audiovisual language. That shortens mutual distance, the reciprocity and the synchronization of sound and visual composition. He also performed live-visual for musicians such as HUMAN AUDIO SPONGE(ex.YMO: Sketch Show + Ryuichi Sakamoto). In recent years, Kurokawa is invited to numerous noted international festivals and museums in Europe, US and Asia including TATE MODERN[UK], ARS ELECTRONICA[AT], transmediale[DE], Shanghai eARTS[CN], MUTEK[CA], TodaysArt[NL] and SONAR[ES] for exhibition, screening or audiovisual concert, and he continues to be

biot(h)ing - Invisibles - Alisa Andrasek

I have just come across this most interesting installation research project to be shortly exhibited in paris. There is a lot of imagery that uses software generative processes to create "scripted" imagery - these images are always incredibly beautiful, and ordered displaying the most wonderful 'ordered' patterns that would be very hard to realise/create by hand processes. When these patterns are tied up to audio processes, then the most incredible synergy seems to take place. This project is a very physical realisation of both scripted animation and an interactive sonar field. What caught my eye was the imagery and the tight connection with sound. (Author comment) "b iot(h)ing - Invisibles is an interactive installation exhibited at the Prague Biennale and is to be exhibited at the Centre Pompidou in Paris in 2009. ‘Invisibles' by biot(h)ing uses holosonic speakers to create sound patterns projected into an interactive space. These speakers isolate indi

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Maura McDonnell