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on July 27, 2006

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Varèse - Offrandes - Boulez, Anna Steiger

Youtube broadcast by suasoires
http://www.youtube.com/watch?v=RxYb44Czv1A

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Maura McDonnell: Maura McDonnell is a visual music artist and researcher based in Ireland. She creates visuals for new music and electronic music concerts, fixed media and installation productions. The medium of choice is visual effects and generative effects video and the style of her work is abstract. The meaningfulness that she seeks in her work is to explore the emotional, musical and evocativeness potential of music in a shared similarly crafted visual world. Maura also lectures on the M.Phil in Music Media Technology Masters Course at Trinity College, Dublin, Ireland and support students to engage with visual music in their own works. Please get in touch if you would like to include your work or research on this blog.

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Labels

1844
2-channel video
2005
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Links to Useful Resources

Center for Visual Music
Cimatics
Colour and Sound - Visual Music
Digicult
IotaCenter
Musica Visual
Pixelsumo
Projet Synesthéorie
Rhythmic Light
Seeing Sound Symposium
Sonore-visuel
Video Circuits
Visual Music Archive
Visual Music Marathon
Visual Music Ning

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I am very happy to announce the call for works for visual music films for a visual music festival devoted to contemporary practice to be held at the University of Kentucky, US. Why I am very proud is one of my former students is involved in organising this, well done Kristine SCFA Visual Music Festival 2025 @ The University of Kentucky Call for visual music films, Deadline is 15th December 2024 General Rules: • The films must be made entirely with abstract imagery, avoiding representation. That is: no cars, no people, no landscapes, no texts, etc. • You can use any technique you’d like: drawing, video composition, cgi, scratch, op-art, stop-motion, camera-less… • The soundtrack cannot feature any words, in any language. If you’re using a song, this must be instrumental or feature non-narrative voices, (no lyrics). • Maximum running time is 8 minutes. • Open and/or closing credits are welcome. • Films must have been produced after 2017. • We kindly request authors to enter their film/s

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Maura McDonnell