Skip to main content

Chiaki Watanabe - New Live Visual Music Performances - Europe

Chiaki Watanabe is performing new live audio visual performances and installations in May, June 2010 at several visual music and audio visual events in Copenhagan, Denmark and Karlsruhe and Berlin, Germany.

"Chiaki Watanabe is a visual artist/designer based in Copenhagen, and New York. She creates abstract visual music works in various forms: video, live video performance and installation. Her work explores cross-sensory experience in a minimalist framework by integrating sound and visual imagery. Known for “hardcore-abstract” visuals. Her interest lies in visual phenomena within music and music within visual phenomena – visual music in physical space - psychophysical effects of visual music - how visual music stimulates the senses."(US/JP/DK)
Bio at: http://www.camp-festival.de/artists_en.php

See also: http://www.vusik.net/bio.html

Visit vimeo page:
http://vimeo.com/vusik
Live visuals at dansehallerne, copenhagen DK 09

Live visuals at dansehallerne, copenhagen DK 09 from CHIAKI WATANABE on Vimeo.

Visual Music Events

Dansehallerne in Copenhagen
May.11. 10, 21:00
A new live audiovisual performance/composition with Jørgen Teller
(guitar/synth) and Jakob Riis(laptop)
at Lille Carl, Dansescenen, Pasteursvej 20, København V Denmark.
Supported by Copenhagen music and art council in corporation with SKRÆP.
INFO: http://www.dansescenen.dk/side.asp?side=2

CAMP 2010 : Visual Music festival at ZKM in Germany
May.25 - 30, 2010
Live audiovisual performance & installation on May.28 & 29, at 22:00
at ZKM | Center for Art and Media in Karlsruhe Germany
INFO: www.camp-festival.de

Salon Bruit
in Berlin
June 4. 2010 at 23:00
A new live audiovisual performance with Denitsa Mineva(violin, objects)
at Kastanienallee 77, Berlin Germany.
INFO: http://salonbruit.blogspot.com
Labels:

Popular posts from this blog

Contact - Augmented Acoustics

Felix Faire (UK), a Parametric System Designer had designed some very interesting interactive installations. One of these, Contact is an interface with which to manipulate and visualize sounds. Beautiful results. View Contact: Augmented Acoustics CONTACT: Augmented Acoustics from Felix Faire on Vimeo . "CONTACT is a tangible audio interface to manipulate and visualize sounds generated from interaction with a simple wooden surface. Any physical contact with the table generates acoustic vibrations which are manipulated and visualized LIVE as they occur using several communicating pieces of software. All code will be opensource and available on github. Bartlett School of Architecture Msc AAC Tutor: Ruairi Glynn" More information: http://www.coroflot.com/felixfaire/profile Vimeo Channel: https://vimeo.com/felixfaire
Read more

International Call for Works - VISUAL MUSIC FESTIVAL

I am very happy to announce the call for works for visual music films for a visual music festival devoted to contemporary practice to be held at the University of Kentucky, US. Why I am very proud is one of my former students is involved in organising this, well done Kristine  SCFA Visual Music Festival 2025 @ The University of Kentucky Call for visual music films, Deadline is 15th December 2024 General Rules: • The films must be made entirely with abstract imagery, avoiding representation. That is: no cars, no people, no landscapes, no texts, etc. • You can use any technique you’d like: drawing, video composition, cgi, scratch, op-art, stop-motion, camera-less… • The soundtrack cannot feature any words, in any language. If you’re using a song, this must be instrumental or feature non-narrative voices, (no lyrics). • Maximum running time is 8 minutes. • Open and/or closing credits are welcome. • Films must have been produced after 2017. • We kindly request authors to enter their fi...
Read more

D.D. Jameson - Colour Music (1844)

D.D. Jameson devised a systematic approach to create a colour music score for a specially adapted piano. His scores took the information from a piano music score and applied it to a sound-music colour scheme and translated it into a colour score. The colour score communicated the musical information - such as notes, rhythm, durations. His score was to link to a special adaptation of a piano music instrument that would have the keys prepared with the relevant colours. The musician could then play the piano by following the colour music score.  Not only were the piano keys to be coloured according to his colour to tone analogy system but the score was to also communicate other aspects of the musicianship such as: the intervals of the music, the notes and their octaves, by mapping the height of the colour to the octave of the note and the width of the colour to the duration of the note. "A pianoforte having been prepared in the manner described, any air may be slo...
Read more