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Center for Visual Music - Call For Visual Music Works
The Center for Visual Music (CVM) has a call for visual music works.  CVM is a nonprofit film archive, has been dedicated to visual music, experimental animation and abstract media and also supports contemporary visual music work.  This call for works is looking to be shown on the CVM's social media, website and as part of their travelling program.  Call for Visual Music Works, 2024 - Center for Visual Music LINK The deadline for submitting work is the 30th November 2024. So do get your submissions in.   Press Release from CVM "As part of our anniversary celebrations, CVM is looking for submissions of a new short visual music work. A short film, a new work not released or screened elsewhere (including film festivals). The new film should be original; we are no…

Digital Alchemy - Visual Music Work
Digital Alchemy is titled after the eighteenth century alchemy chemistry practices to create precious metals. In this digital abstract world, you are brought on a journey into the transformation of textures, colour and timbre in visuals and music. There are two anchor points in this motion surface, as two vertical lines offset and near the edges, that holds this surface of multiple gossamer threads of visual alchemic material, consisting of softness and sharpness are side by side. Perfect geometries merge with chaotic micro motions. The music is a composition by Cobi van Tonder, titled 'Gala', which consists of micro tones, vibrations of varying intensities, macro gestures. Both visual and music works consist of colours that shift and change with intensity…

“Cluster”, a light and sound generative installation
" Cluste r is an immersive audiovisual site-specific installation that explores relationships between space, time and perception. Geometric schematization of architecture using light instruments transforms the space into a container for the abstract language of light and sound.” Cluster - Playmodes Documentation Playmodes have provided extensive documentation and videos about their Cluster project on their website at: http://playmodes.com/web/cluster-mira/ They use their own software created by Playmodes and integrate this with a hardware system to transform architectural spaces into audiovisual experiences. "The audiovisual discourse generated in real time using software created by Playmodes, researches the possibilities of formal clusters of oscillators app…

Aurora Gasull - Un Sourire, on music of Olivier Messiaen
Un Souririe by Aurora Gasull  Auroral Gasull has been working in Visual Music for the last 10 years. Her latest work in ‘ Un Souririe ’ (A Smile) with music of Olivier Messiaen. This is a very beautiful animation, that has many visual worlds presentet to us akin to phrases in music, in which a visual world explores the music world and changes and transforms. Some very evocative scenes, for example, a really lovely expansive scene of colours shapes that work as a whole but which expand and contract into stretched or compressed shapes - lovely motion experiences. http://www.aurora.cat/auroraunsourire/ From biography on her website 'Born in Barcelona, cellist and member of a number of chamber groups up to 1990, she first approaches visual arts through phot…

Video - Jan Mayen directed by Michael Fragestein
"Jan Mayen" is the title for a music video directed by Michael Fragstein at Büro Achter April for Boozoo Bajou´s Album '4'. The video is really beautiful. Abstract as the director says just like the music. There are some really lovely animations of forms into and out of other forms and I love the colour combinations. Very intersting work being created by Michael and his team at Büro Achter April, they are based in Stuttgart, Germany. Work divided into stills, motion, design engineering and interactive with the really relevant subtitle "Digitale Form". More information: Michael Fragstein at Büro Achter April: http://8apr.de/studio.html Vimeo: https://vimeo.com/59911840 Boozoo Bajou: http://www.boozoobajou.com/ Vimeo embed of J…

Force.Line.Border by Casey Farina
Force.Line.Border by Casey Farina is a beautiful audiovisual work that consists of an animated score where the movie serves as the score for three musicians who interpret a section of the screen. The design of the visual composition and the simplicity of the idea to work with three ideas/parameters of force, line and border is combined with the percussive sounds and motions so elegantly. Work : Force.Line.Border Author : Casey Farina Date : Percussion : Douglas Nottingham, Joe Perez, and Robert Esler "Black = Sound White = Silence Force.Line.Border. is an animated graphic score for a trio of indeterminate instrumentation. This work is the latest in a series of animated graphic scores that builds on the concepts developed by John Cage, Morton Feldman, Cor…

Robert Henke - Lumière
Lumiére - An audiovisual live performance with laser projections "Three powerful white lasers draw rapid successions of ephemeral objects, seemingly floating in space. The data used to draw the shapes is transformed into audible frequencies. Laser patterns and sonic treatments are performed as an improvised dialog between the artist and the audiovisual machine. Lumière is an exploration of synchronicity and divergence, of light and darkness, movement and sound at the limits of perception." Source: http://www.monolake.de/concerts/lumiere.html Lumiére Technology Information Quote from technical page: "The lasers are controlled with analog signals, created in MaxMSP. These signals are technically the same type of signals used for audio, but …

Andreas Karaoulanis - bestbefore
I have just come across the work of Andreas Karaoulanis. His animations are 'stop me in my tracks' beautiful. I have watched some from his vimeo channel, but felt I must post this to keep track of this great work. Why do I like it? The illustrations in a moving collage type style are so rhythmic. The movements and the flat arrangement of objects and cut outs in a formless and groundless space, in fact, the space is just a background colour in many works, is perfectly in tune with the musicality of the music, not just a synchronised beat but a whole mood, style and playfulness that may not even be apparent in the music, if one listened to the music on its own, but emerges with his playful rhythms and arrangement and positioning of independent yet connect…

Étude aux allures-1960 - Pierre Schaeffer, Raymond Hains
"This work is the result of a chance meeting between two studies: one sound: a study by Pierre Schaeffer , the other visual: sequences shot by the artist Raymond Hains with fluted lens whose movements multiply and colorful animated graphics." google translate from website link below Link: http://www.ina.fr/fresques/artsonores/fiche-media/InaGrm00201/etude-aux-allures.html Article: Aural Vision and Non-Sense – A certain cinema… that one could call concrete on Curating the Moving Image Blog and article post A concrete cinema link

Samadhi by David West
David West's very beautiful piece exploring that luminous quality of light and colour. "Samadhi is a visual music work that is a tribute to the films of computer graphic pioneers, John and James Whitney. The term 'samadhi' is a Sanskrit term for a higher level of awareness. The graphics were produced in Autodesk Maya using fluids and particles." The soundtrack is called 'Evolution' by Absorption http://youtu.be/2yppl2T1Djs Youtube embed

Ryoichi Kurokawa - rheo: 5 horizons
Ryoichi Kurokawa - rheo: 5 horizons on vimeo http://vimeo.com/31319154 I previously posted an excerpt from the stunning rheo: 5 from the youtube website.  Ryoichi Kurokawa's vimeo channel is worth checking out and the wonderful rheo: 5 is on that. This is a beautiful work, and there is something about odd numbers.  The arrangement into 5 screens is really interesting, it reminds me also of the earlier work Roy Lichtenstein's Three Landscapes - again an arrangement of an odd number of screens, this time 3, it also deals with horizon. I did a short blog post on my other blog - sounding visual blog on Roy Lichtenstein's Three Landscapes, recently reshown. see: http://soundingvisual.blogspot.com/2012/01/roy-lichtensteins-three-landscapes.html Excer…

Jean Detheux - "...lilac shrieks and scarlet bellowings..."
Jean Detheux - "...lilac shrieks and scarlet bellowings..." what a great title - posting latest news on Jean Detheux's visual music work "...lilac shrieks and scarlet bellowings..." is a film in 6 movements, based on related texts of E. E. Cummings that focus on themes of nature and the cycle of life. The sonic material, created by Mikel Kuehn mikelkuehn.com/, is derived from manipulated environmental sounds and the recitation of Cummings texts by soprano Deborah Norin-Kuehn. The images were created first (the idea was to create a life in 4 parts, followed by a "recollection" of that life, as if at the moment of death, in the 5th and final movement). The sonic material came later and added an in-between part, visually blank, thus b…

Daniel Palacios - Waves
Daniel Palacios - Waves "A long piece of rope represents three dimensionally a series of waves floating in space, as well as producing sounds from the physical action of their movement: the rope which creates the volume also simultaneously creates the sound by cutting through the air, making up a single element... But even though this could seem like a mere representation of what we can’t see for ourselves, beyond the persistence of vision, it connects with our most visceral side, combining the intangible beauty of the represented graphic with the brutality of the sound it produces, creating a hypnotic environment of audible results and unique visual stimulations." Source: http://danielpalacios.info/en/waves Vimeo Link Waves from Daniel …

Pedro Mari/ Defetto - πάντα ῥει
Pedro Mari/ Defetto Very beautiful harmonious colour - very musical, like the harmonics available in a music tone. These images are as beautiful still as they are in motion. source image:  http://www.defetto.com/1117/14230/works/iiiii-aii-panta-rhei see also flickr: flickr.com/photos/defetto/sets/72157602683025565/ "Everything is subject to change. The harmony of things is contained in their perennial change. This change is not random or chaotic; it is governed by precise rhythms. πάντα ῥει is an eternal flow, constantly evolving, never equal to himself." source:  http://www.defetto.com/1117/14230/works/iiiii-aii-panta-rhei Vimeo embed (silent) πάντα ῥει from defetto on Vimeo . Website:   http://www.defetto.com/ vimeo:  http://vi…

Awork // Mikołaj Pasiński - Awake
Visual artist - Video artist - Awork // Mikołaj Pasiński hypnotic neon like imagery - a kind of beat video - forwards, backwards motion, light filled colour.  Colour with a hint of volume, graphical figures with a slight sense of depth.  Lovely (I am in a one word, adjective type description mode these days!) Awake Awake from Awork // Mikołaj Pasiński on Vimeo . Minimal music vs minimal visualisation. Music: Emptyset - Awake Picture: Mikołaj Pasiński http://vimeo.com/12325755

Staub Leben - Live reactive environment.
Arístides García Staub Leben - Live reactive environment This is quite incredible - in its drama, and visual impact and performance.  Staub Leben Vimeo Link http://vimeo.com/34756702   Staub Leben from lasal on Vimeo . Credits for project on vimeo link  "UdK Berlin, Intermediales Bewegungslabor. Campus-Kollision, Januar 2012, HZT-Uferstudios. Prof. Nik Haffner: Projektleitung. Arístides García: Projektleitung, Konzept, Programmierung. Nikola Pieper: Technische Leitung. Körper: Emilia Pfohl, Marine Bertrand, Hanne Müller, Marieke Hohberge, Swann Nowak. Juan Gabriel Harcha : Tanzer. Hannes Mück : Kamera." Arístides García - website link http://aristidesgarcia.tumblr.com/works

Jean Piché - OCÉANES
Jean Piché OCÉANES, 2010/2011 Exploring parallels between image and music with particle generated image and granular synthesis generated sound - incredibly beautifully composed. 'A videomusic work by Jean Piché, 'exploring the aesthetic potential of particle based computer generated imagery. Analogous to granular sound processing, particle synthesis allows for the creation and control of complex materials using an large number of very small components. Sound and image coordination does not explicitely use synchresis as a discursive device but aims for an elevated relation based on metaphor and emotional detachment, as if contemplating a field of images from a distant perspective.' source: http://vimeo.com/25933560 view on vimeo OCÉANES from J…

TIME PAINTING by AKITOSENGOKU
Check out these amazing audio visual performances with live musicians. The music in this performance I think is really beautiful. Great work. TIME PAINTING by AKITOSENGOKU Collaborate with Hugues Vincent, Frantz Loriot & ryotaro at "Velvet Moon vol.38" -music, dance & Performance night!- October 19, 2011 UrBANGUILD, Kyoto, Japan Hugues Vincent, Frantz Loriot, ryotaro & AKITO SENGOKU Live at "Velvet Moon vol.38" UrBANGUILD, Kyoto from AKITO SENGOKU on Vimeo .

Electoluminescence by Sharon Phelan
Electroluminesence an audiovisual composition composed by Sharon Phelan in 2009 is a very hypnotic and beautiful audio visual piece with a very stylised colour scheme and motion palette.  Sharon composed the music to the visuals, a kind of deep seeing and hearing.  I saw this again yesterday evening in the ATRL lab, Trinity College, Dublin and it was quite stunning aurally and visually in such a great setting, with high quality projection and audio. Electroluminescence from Sharon Phelan on Vimeo . "Audiovisual composition consisting of video feedback. The music and visuals were informed by each other in an exploration of emergent forms. Slight changes to certain parameters lead to complex results."

20 Hz - Semiconductor Video
This piece is quite incredible in the patterns and sense of depth and dimension.  It is really beautiful.  Semiconductors film 200 Nanowebbers was really brilliant too, but this new work form 2011, is equally as good.  Great work semiconductor 20 Hz - A Semiconductor work by Ruth Jarman and Joe Gerhardt. '0 5.00 minutes / HD / 201 1 HD single channel and HD 3D single channel . A Semiconductor work by Ruth Jarman and Joe Gerhardt. Audio Data courtesy of CARISMA, operated by the University of Alberta, funded by the Canadian Space Agency.' "20 Hz observes a geo-magnetic storm occurring in the Earth's upper atmosphere. Working with data collected from the CARISMA radio array and interpreted as audio, we hear tweeting and rumbles caused by in…