Visual Music

Press Release CALL FOR WORKS – SOUND/IMAGE22 18-20 November 2022, University of Greenwich This festival brings together artists and experts exploring the relationship between sounds and images, and the images which sounds can construct by themselves. We actively encourage applications from candidates of all ethnicities, backgrounds and genders, who are traditionally underrepresented. ----------------------------------------------------------------- Submit your proposals for – TALKS, CONCERTS, SCREENINGS, PERFORMANCES, INSTALLATIONS – exploring diverse areas of sound / image practice, including (but not limited to): Audio-Visual Composition; Visual Music; Acousmatic Music; Expanded Cinema; Experimental Film; AV Performances; Sound and Image Relationships; Sonic Image; …

The Journal: 'Synaesthesia: Cross-Sensory Aspects of Cognitive Activity Across Science and Artack' is available in print and is available to purchase now. Cover photo of Svetlana Rudenko, visuals by Maura McDonnell. IASAS, 2019 Available now It is very exciting to see the cover photo for the just published journal - Synaesthesia: Cross-Sensory Aspects of Cognitive Activity Across Science and Art is of a photograph from the multimedia concert in which pianist Svetlana Rudenko and I (visuals) collaborated on in Moscow in 2019. Anton Dorso has edited the journal bringing together and documenting all the presentations, papers, art exhibits, concerts, and all aspects of the conference. See CC Harts post below for links to the journal and for details and how t…

SECOND INTERNATIONAL SCIENTIFIC AND PRACTICAL CONFERENCE "THE ART OF SOUND AND LIGHT", SAINT PETERSBURG, took place from OCTOBER 18–20, 2021. The conference was online this year.  The conference was organised and hosted by: The Department of Organology inside the Russian Institute for the History of the Arts, the Foundation for support of the audiovisual and technological art “Prometheus” (Foundation “Galeev-Prometheus”) and Sergey Zorin’s Optical Theater.  https://artcenter.ru/en/second-international-scientific-and-practical-conference-the-art-of-sound-and-light/   The three day event was co-ordinated by Olga Viktorovna Kolganova — Department of Organology Scientific Research Scientist, Russian Institute for the History of Art (St. Petersburg). The organis…

Media Art History This is an excellent resource. Re:Live Media Art History organises a biannual confernence on the histories of media art, science and technology. The website keeps a record of the conferences. The MediaArtHistoriesArchive - documents and hosts a" digital repository of scholarship examining the Histories of Media Art, Science and Technology! Our collections are currently being fleshed out and added to. Archive Goals :: world wide access - create a place for classic texts, cross-pollinated, cutting-edge scholarship - items submitted and regulated by authors - rich metadata MAHArchive connects disciplines which devote research efforts to Media Art, from art history, through film, theater, media and cultural studies, to psychology, informati…

The Scientific Graphics Project The Geometry hierarchy treats subjects in differential geometry, primarily related to surfaces, from a pure mathematics perspective. The Scientific Graphics Project http://archive.msri.org/about/sgp/SGP/index.html see also with left side index:  http://archive.msri.org/about/sgp/jim/geom/index.html Contributors Several people have contributed to the research represented here on the Scientific Graphic Project website. The original design of this site was by James T. Hoffman. David Hoffman James T. Hoffman Matthias Weber Martin Trazet Meinhard Wohlgemuth Eric Boix Michael Callahan Ed Thayer Fusheng Wei

Michael Scroggins - Immersive VR and Absolute Animation Art and Virtual Environments Project "Mathematicians often describe the nature of certain topological surfaces by describing what it would be like to "take a walk" on the surface. The Topological Slide uses immersive virtual reality technology to provide this type of direct sensual experience. "The 'rider' will wear a head mounted display enabling an interactive wide-angle stereo view of a three-dimensional space. The space will consist of a model of a topological surface to which the platform is bound and upon which it is free to slide. The 'rider' may traverse the model's surface by leaning in the direction in which she desires to move. The amount of lean in a given…