Topological Slide - Michael Scroggins

Topological Slide - Michael Scroggins - Stewart Dickson

Michael Scroggins - Immersive VR and Absolute Animation

Art and Virtual Environments Project
"Mathematicians often describe the nature of certain topological surfaces by describing what it would be like to "take a walk" on the surface. The Topological Slide uses immersive virtual reality technology to provide this type of direct sensual experience.

"The 'rider' will wear a head mounted display enabling an interactive wide-angle stereo view of a three-dimensional space. The space will consist of a model of a topological surface to which the platform is bound and upon which it is free to slide. The 'rider' may traverse the model's surface by leaning in the direction in which she desires to move. The amount of lean in a given direction will determine the rate of sliding."
The quote above is taken from he original grant proposal for A Topological Slide submitted by Michael Scroggins and Stewart Dickson to the Art and Virtual Environments Project at the Banff Centre for the Arts in 1991. The Topological Slide premiered at the Art and Virtual Environments Symposium held in conjunction with the Fourth International Conference on Cyberspace at the Banff Centre in 1994.

Immersed in Technology: Art and Virtual Environments (Leonardo Books) (Hardcover)
by Mary Ann Moser (Editor), Douglas MacLeod (Editor)

Contact - Augmented Acoustics

Felix Faire (UK), a Parametric System Designer had designed some very interesting interactive installations. One of these, Contact is an interface with which to manipulate and visualize sounds. Beautiful results. View Contact: Augmented Acoustics CONTACT: Augmented Acoustics from Felix Faire on Vimeo . "CONTACT is a tangible audio interface to manipulate and visualize sounds generated from interaction with a simple wooden surface. Any physical contact with the table generates acoustic vibrations which are manipulated and visualized LIVE as they occur using several communicating pieces of software. All code will be opensource and available on github. Bartlett School of Architecture Msc AAC Tutor: Ruairi Glynn" More information: http://www.coroflot.com/felixfaire/profile Vimeo Channel: https://vimeo.com/felixfaire

D.D. Jameson - Colour Music (1844)

D.D. Jameson devised a systematic approach to create a colour music score for a specially adapted piano. His scores took the information from a piano music score and applied it to a sound-music colour scheme and translated it into a colour score. The colour score communicated the musical information - such as notes, rhythm, durations. His score was to link to a special adaptation of a piano music instrument that would have the keys prepared with the relevant colours. The musician could then play the piano by following the colour music score. Not only were the piano keys to be coloured according to his colour to tone analogy system but the score was to also communicate other aspects of the musicianship such as: the intervals of the music, the notes and their octaves, by mapping the height of the colour to the octave of the note and the width of the colour to the duration of the note. "A pianoforte having been prepared in the manner described, any air may be slo...

International Call for Works - VISUAL MUSIC FESTIVAL

I am very happy to announce the call for works for visual music films for a visual music festival devoted to contemporary practice to be held at the University of Kentucky, US. Why I am very proud is one of my former students is involved in organising this, well done Kristine SCFA Visual Music Festival 2025 @ The University of Kentucky Call for visual music films, Deadline is 15th December 2024 General Rules: • The films must be made entirely with abstract imagery, avoiding representation. That is: no cars, no people, no landscapes, no texts, etc. • You can use any technique you’d like: drawing, video composition, cgi, scratch, op-art, stop-motion, camera-less… • The soundtrack cannot feature any words, in any language. If you’re using a song, this must be instrumental or feature non-narrative voices, (no lyrics). • Maximum running time is 8 minutes. • Open and/or closing credits are welcome. • Films must have been produced after 2017. • We kindly request authors to enter their fi...

Visual Music

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