Visual Music

Nancy creates visual music works in both BlissPaint and Flash as the artist says, she creates "work that actually could be 'played' in real time if the colors were attached to keys on a musical key board." Her desire is to create an instrument that could play color in time. The key issue for Nancy is to "'tune' the color through several spectra creating a smooth transition from light to dark. I think the color itself will create the 'music' over time- note the shapes of the color, or the way the color moves". Source: Artist website - www.nancyherman.com Nancy has created several of these color in time works and they are available to preview on her website at: http://visualmusic.nancyherman.com/ Link to Satie's Gymnopo…

http://www.colorofmysound.com/ Assign colors to songs at the free music promotion community, ColorOfMySound.com " Synaesthesia is the mixing of the senses. Those affected by it hear colors, see sounds, and taste tactile sensations. When the two senses involved are sound and color, this phenomenon is no longer limited to synaesthetes: anyone, given a sound and time for contemplation, can ascribe color to that sound. Often, these connections between sound and color will overlap from person to person. Color Of My Sound is an informal experiment to test that hypothesis. First, choose a sound category . Then, after listening, choose the color to which you are most strongly drawn. Give us your thoughts. Then, you can see how others voted for that particular sound. &quo…

http://creativelab.kiev.ua/eng/theory/graphics/graphics_eng.htm Interesinting work on transforming music intervals into a graphic image. Other project is the correspondence of sound to colour

Website about Thomas Wilfred - light art Thomas Wilfred [Danish-American; 1889 - 1968] was a pioneer in developing what he called Lumia, the art of light. "A Wilfred Lumia work is a composition of light, color, and form which changes slowly with time. It exhibits a very wide range of light intensity and a broad spectrum of delicate colors and shapes. These are extremely difficult to record and impossible to "play back" with fidelity, even using a high quality monitor. Thus you cannot experience the full, almost visceral, impact of his work unless you see it in person. Unfortunately, there are only approximately 35 of his works in existence and these are rarely displayed publicly. So here we attempt to convey, however feebly, some "feel" for the…