Skip to main content

Binary Opposition - by Edgar Barroso

"Binary Opposition" for Video and Electronics by Edgar Barroso





Edgar Barroso
"Born in Mexico in 1977, Edgar Barroso is a PhD Candidate in Music Composition at Harvard University where he works with Hans Tutschku, Brian Ferneyhough, Helmut Lachenmann, Michael Gandolfi and Chaya Czernowin. "
Source: http://edgarbarroso.net/?page_id=12

This is a stunningly beautiful audiovisual work, that seems to reduce both aural and visual material to one thing, which is then used as material to craft a unified work that consists of aural and visual material. What I love about this piece, is its incredible sense of structure and development with visual and aural elements evolving over time into a variety of similar and dissimilar transformations - really engrossing work from start to finish.

View on vimeo


"Binary Opposition" for Video and Electronics by Edgar Barroso from Edgar Barroso on Vimeo.

"Binary opposition is a piece that explores the interaction of stable and unstable materials that interact producing a set of possibilities that goes beyond the limited nature of their own. They are all affected by each other, and are also “invaded” by a disruptive characteristic of the frame space that speeds up the materials, similar to wind that provokes acceleration. Metaphorically: The actual weather of the frame. "
source: http://vimeo.com/17512592

Website: http://edgarbarroso.net/
Labels:

Popular posts from this blog

Contact - Augmented Acoustics

Felix Faire (UK), a Parametric System Designer had designed some very interesting interactive installations. One of these, Contact is an interface with which to manipulate and visualize sounds. Beautiful results. View Contact: Augmented Acoustics CONTACT: Augmented Acoustics from Felix Faire on Vimeo . "CONTACT is a tangible audio interface to manipulate and visualize sounds generated from interaction with a simple wooden surface. Any physical contact with the table generates acoustic vibrations which are manipulated and visualized LIVE as they occur using several communicating pieces of software. All code will be opensource and available on github. Bartlett School of Architecture Msc AAC Tutor: Ruairi Glynn" More information: http://www.coroflot.com/felixfaire/profile Vimeo Channel: https://vimeo.com/felixfaire
Read more

D.D. Jameson - Colour Music (1844)

D.D. Jameson devised a systematic approach to create a colour music score for a specially adapted piano. His scores took the information from a piano music score and applied it to a sound-music colour scheme and translated it into a colour score. The colour score communicated the musical information - such as notes, rhythm, durations. His score was to link to a special adaptation of a piano music instrument that would have the keys prepared with the relevant colours. The musician could then play the piano by following the colour music score.  Not only were the piano keys to be coloured according to his colour to tone analogy system but the score was to also communicate other aspects of the musicianship such as: the intervals of the music, the notes and their octaves, by mapping the height of the colour to the octave of the note and the width of the colour to the duration of the note. "A pianoforte having been prepared in the manner described, any air may be slo...
Read more

International Call for Works - VISUAL MUSIC FESTIVAL

I am very happy to announce the call for works for visual music films for a visual music festival devoted to contemporary practice to be held at the University of Kentucky, US. Why I am very proud is one of my former students is involved in organising this, well done Kristine  SCFA Visual Music Festival 2025 @ The University of Kentucky Call for visual music films, Deadline is 15th December 2024 General Rules: • The films must be made entirely with abstract imagery, avoiding representation. That is: no cars, no people, no landscapes, no texts, etc. • You can use any technique you’d like: drawing, video composition, cgi, scratch, op-art, stop-motion, camera-less… • The soundtrack cannot feature any words, in any language. If you’re using a song, this must be instrumental or feature non-narrative voices, (no lyrics). • Maximum running time is 8 minutes. • Open and/or closing credits are welcome. • Films must have been produced after 2017. • We kindly request authors to enter their fi...
Read more