Joost Rekveld - Work and Writings

texts and publications by Joost Rekveld:

updated links to Joost Rekveld Writings

Visit website with links to writings:
http://www.lumen.nu/rekveld/wp/?page_id=6

Original Post: 25 October 2005

Joost Rekveld - Work and Writings and Historical Articles

About
"Joost Rekveld (1970) has been making abstract films and light installations since 1991, originally starting out from the idea of a visual music for the eye. He has been making most of his animated films with optical and mechanical setups, using the computer as a controller and composition machine in order to orchestrate the precise movements of optical components. His installation making grew out of the tools he developed to make his films, often inspired by the lesser frequented by-ways in the history of science and technology. His work so far has dealt with various forms of scanning, or with concepts related to the early history of optics and perspective. His interest in the spatial aspects of light triggered a shift away from the screen, towards more architectural and theatrical forms of work. At the moment he is becoming increasingly implicated in activities that resemble cybernetics, artificial life and robotic architecture."
Source: http://www.lumen.nu/rekveld/wp/?page_id=2

Contact - Augmented Acoustics

Felix Faire (UK), a Parametric System Designer had designed some very interesting interactive installations. One of these, Contact is an interface with which to manipulate and visualize sounds. Beautiful results. View Contact: Augmented Acoustics CONTACT: Augmented Acoustics from Felix Faire on Vimeo . "CONTACT is a tangible audio interface to manipulate and visualize sounds generated from interaction with a simple wooden surface. Any physical contact with the table generates acoustic vibrations which are manipulated and visualized LIVE as they occur using several communicating pieces of software. All code will be opensource and available on github. Bartlett School of Architecture Msc AAC Tutor: Ruairi Glynn" More information: http://www.coroflot.com/felixfaire/profile Vimeo Channel: https://vimeo.com/felixfaire

D.D. Jameson - Colour Music (1844)

D.D. Jameson devised a systematic approach to create a colour music score for a specially adapted piano. His scores took the information from a piano music score and applied it to a sound-music colour scheme and translated it into a colour score. The colour score communicated the musical information - such as notes, rhythm, durations. His score was to link to a special adaptation of a piano music instrument that would have the keys prepared with the relevant colours. The musician could then play the piano by following the colour music score. Not only were the piano keys to be coloured according to his colour to tone analogy system but the score was to also communicate other aspects of the musicianship such as: the intervals of the music, the notes and their octaves, by mapping the height of the colour to the octave of the note and the width of the colour to the duration of the note. "A pianoforte having been prepared in the manner described, any air may be slo...

International Call for Works - VISUAL MUSIC FESTIVAL

I am very happy to announce the call for works for visual music films for a visual music festival devoted to contemporary practice to be held at the University of Kentucky, US. Why I am very proud is one of my former students is involved in organising this, well done Kristine SCFA Visual Music Festival 2025 @ The University of Kentucky Call for visual music films, Deadline is 15th December 2024 General Rules: • The films must be made entirely with abstract imagery, avoiding representation. That is: no cars, no people, no landscapes, no texts, etc. • You can use any technique you’d like: drawing, video composition, cgi, scratch, op-art, stop-motion, camera-less… • The soundtrack cannot feature any words, in any language. If you’re using a song, this must be instrumental or feature non-narrative voices, (no lyrics). • Maximum running time is 8 minutes. • Open and/or closing credits are welcome. • Films must have been produced after 2017. • We kindly request authors to enter their fi...

Visual Music

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