Skip to main content

Sound/ Image Colloquium 2015

Sound/ Image Colloquium 2015
7th - 8th November, 2015
11 Stockwell Street 
University of Greenwich 
SE10 8EY Greenwich

United Kingdom
http://blogs.gre.ac.uk/sounddesign/events/sound-image/
Exploring sonic and audio-visual practice.
The Sound / Image colloquium is interested in exploring the relationships between sounds and images, and the images which sounds can construct by themselves.Through a series of complementary strands – talks, screenings, loudspeaker orchestra concerts – we will bring together artists and academics to investigate sound and sound-image phenomena.Michel Chion is special guest. Additional keynote talks from Jo Hyde and Mairead McClean.The event itself will take place on the weekend of the 7th / 8th November 2015, at the Stockwell Street Building in Greenwich.http://blogs.gre.ac.uk/sounddesign/events/sound-image/
Organiser: Andrew Hill
http://www.ahillav.co.uk/
Screenings
Concert


http://blogs.gre.ac.uk/sounddesign/events/sound-image/sound-image-2015-concert/

Talks
Talks 1 – Saturday Morning
The image as trigger of imagined sounds - Victoria Karlsson, University of the Arts.
The Orphic Turn - Daniel H. Foster, University of East Anglia.Snap-stick, (Slapstick), Crack and Rustle: locating the sonic-signifier - Kevin Logan, CRiSAP, UAL.Audiovisual Coherence and Physical Presence: I am there, therefore I am. - Louise Harris, University of Glasgow.

Talks 2 – Saturday Afternoon
KEYNOTE – L’audio-logo-visuel; la re-division sensorielle - Michel Chion,
Mapping the materiality of off-screen sound - Lucy Fife Donaldson, University of St Andrews.Lis Rhodes: Light Music - Dr. Aimee Mollaghan, Edgehill University.

Talks 3 – Sunday Morning
Ventriloquial Acts: Critical Reflections on the Art of Foley - Matt Lewis, Call & Response.
Acousmatic Foley -Sara Pinheiro
Determining the appropriateness of sound/image relationships in parallel sets of music videos for Bon Iver’s deluxe edition. - Alex Jeffery, City University, London
Cinema = Music and the other way round in Jim Jarmusch’s films - CĆ©line Murillo, UniversitĆ© Paris 13/Sorbonne Paris CitĆ©.

Talks 4 – Sunday Afternoon
KEYNOTE – The Audiovisual Contract: Towards a Phenomenological Approach to Sound/Image Relationships  - Jo Hyde, Bath Spa University.
The Sound of Visual Art.- Sandra Kazlauskaite, Goldsmiths, University of London.

http://blogs.gre.ac.uk/sounddesign/events/sound-image/sound-image-talks-2015/










Popular posts from this blog

Contact - Augmented Acoustics

Felix Faire (UK), a Parametric System Designer had designed some very interesting interactive installations. One of these, Contact is an interface with which to manipulate and visualize sounds. Beautiful results. View Contact: Augmented Acoustics CONTACT: Augmented Acoustics from Felix Faire on Vimeo . "CONTACT is a tangible audio interface to manipulate and visualize sounds generated from interaction with a simple wooden surface. Any physical contact with the table generates acoustic vibrations which are manipulated and visualized LIVE as they occur using several communicating pieces of software. All code will be opensource and available on github. Bartlett School of Architecture Msc AAC Tutor: Ruairi Glynn" More information: http://www.coroflot.com/felixfaire/profile Vimeo Channel: https://vimeo.com/felixfaire

D.D. Jameson - Colour Music (1844)

D.D. Jameson devised a systematic approach to create a colour music score for a specially adapted piano. His scores took the information from a piano music score and applied it to a sound-music colour scheme and translated it into a colour score. The colour score communicated the musical information - such as notes, rhythm, durations. His score was to link to a special adaptation of a piano music instrument that would have the keys prepared with the relevant colours. The musician could then play the piano by following the colour music score.  Not only were the piano keys to be coloured according to his colour to tone analogy system but the score was to also communicate other aspects of the musicianship such as: the intervals of the music, the notes and their octaves, by mapping the height of the colour to the octave of the note and the width of the colour to the duration of the note. "A pianoforte having been prepared in the manner described, any air may be slo...

International Call for Works - VISUAL MUSIC FESTIVAL

I am very happy to announce the call for works for visual music films for a visual music festival devoted to contemporary practice to be held at the University of Kentucky, US. Why I am very proud is one of my former students is involved in organising this, well done Kristine  SCFA Visual Music Festival 2025 @ The University of Kentucky Call for visual music films, Deadline is 15th December 2024 General Rules: • The films must be made entirely with abstract imagery, avoiding representation. That is: no cars, no people, no landscapes, no texts, etc. • You can use any technique you’d like: drawing, video composition, cgi, scratch, op-art, stop-motion, camera-less… • The soundtrack cannot feature any words, in any language. If you’re using a song, this must be instrumental or feature non-narrative voices, (no lyrics). • Maximum running time is 8 minutes. • Open and/or closing credits are welcome. • Films must have been produced after 2017. • We kindly request authors to enter their fi...