Blog “Sacred Lumia” by Louis M.Brill

Sacred Lumia Gallery by Louie M. Brill

Louis M.Brill is a lumia artist who works from his Lumia art studio in San Francisco, US. He also writes a blog named, Sacred Lumia, here he explores "the processes of Lumia and how it fits into the world of art, cinema and culture as a visual medium of appreciation”.
This is a really great resource for artists and scholars interested in the practice and context of lumia art. Louis embraces “the light as the paintbrush and canvas to present Lumia art as a very evocative and nattarive visual presence.” An important part of his practice is that lumia can be controlled through directed artistic intensions and I think this is a very commendable point. WIth the advent of technologies that can do the art for you, there is still the important consideration of artistic intention and from this stand point creating a work that works with light. Louis is open to comments and discussion on his blog, so please do drop by and join in the conversation.

LINKS

Essay by Louis M. Brill

Lumia and The Art of Visualizing Music

https://sacredlumia.wordpress.com/2017/02/08/lumia-and-the-art-of-visualizing-music/

Visit his Sacred Lumia blog for some great sharings on the art form and practice of lumia.
https://sacredlumia.wordpress.com/

To visit a website showcasing his work, you can visit this link

http://sacredlumia.com/lumia_vista.html

Contact - Augmented Acoustics

Felix Faire (UK), a Parametric System Designer had designed some very interesting interactive installations. One of these, Contact is an interface with which to manipulate and visualize sounds. Beautiful results. View Contact: Augmented Acoustics CONTACT: Augmented Acoustics from Felix Faire on Vimeo . "CONTACT is a tangible audio interface to manipulate and visualize sounds generated from interaction with a simple wooden surface. Any physical contact with the table generates acoustic vibrations which are manipulated and visualized LIVE as they occur using several communicating pieces of software. All code will be opensource and available on github. Bartlett School of Architecture Msc AAC Tutor: Ruairi Glynn" More information: http://www.coroflot.com/felixfaire/profile Vimeo Channel: https://vimeo.com/felixfaire

D.D. Jameson - Colour Music (1844)

D.D. Jameson devised a systematic approach to create a colour music score for a specially adapted piano. His scores took the information from a piano music score and applied it to a sound-music colour scheme and translated it into a colour score. The colour score communicated the musical information - such as notes, rhythm, durations. His score was to link to a special adaptation of a piano music instrument that would have the keys prepared with the relevant colours. The musician could then play the piano by following the colour music score. Not only were the piano keys to be coloured according to his colour to tone analogy system but the score was to also communicate other aspects of the musicianship such as: the intervals of the music, the notes and their octaves, by mapping the height of the colour to the octave of the note and the width of the colour to the duration of the note. "A pianoforte having been prepared in the manner described, any air may be slo...

International Call for Works - VISUAL MUSIC FESTIVAL

I am very happy to announce the call for works for visual music films for a visual music festival devoted to contemporary practice to be held at the University of Kentucky, US. Why I am very proud is one of my former students is involved in organising this, well done Kristine SCFA Visual Music Festival 2025 @ The University of Kentucky Call for visual music films, Deadline is 15th December 2024 General Rules: • The films must be made entirely with abstract imagery, avoiding representation. That is: no cars, no people, no landscapes, no texts, etc. • You can use any technique you’d like: drawing, video composition, cgi, scratch, op-art, stop-motion, camera-less… • The soundtrack cannot feature any words, in any language. If you’re using a song, this must be instrumental or feature non-narrative voices, (no lyrics). • Maximum running time is 8 minutes. • Open and/or closing credits are welcome. • Films must have been produced after 2017. • We kindly request authors to enter their fi...

Visual Music

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