Skip to main content

MuVi 5 - Call for Works

MuVi5: International exhibition of video and moving image on synesthesia and visual music

Palacio Abacial y Convento de Capuchinos, AlcalƔ la Real, JaƩn, Spain

18-22th May 2018 AlcalƔ la Real (JaƩn), Spain
Abstract registration deadline: September 30, 2017
Submission deadline: September 30, 2017

Call for Works

MuVi5 invites artists, musicians, designers and performers, also professors and university students, to submit proposals of kinetic works to be part of a public exhibition, with performances and discussions.

Visual Music exhibition is part of the Sixth International Congress "Synaesthesia: Science & Art", to be held from the 18th to the 22th of May 2018, Palacio Abacial y Convento de Capuchinos, AlcalĆ” la Real (JaĆ©n, Spain). The topic of the exhibition is visual music and synesthesia. For “visual music”, we intend every representation to be only visual or audiovisual, suggested by the music.

The correspondences between the visual and music can be the results of synesthetic perceptions (the visuals are the mental images suggested by the music); or the correspondences can be the result of studies on the analogies between the visual and musical languages (rhythms, tonality, texture, colours, etc.). The support of a narrative thread is not required.

Visit: http://muvi-visualmusic.tumblr.com/
Call: http://muvi-visualmusic.tumblr.com/call

18th-22nd May 2018 at Palacio Abacial y Convento de Capuchinos, AlcalƔ la Real (JaƩn, Spain), Facultad de Bellas Artes Alonso Cano, Universidad de Granada, Spain
Direction and coordination
Dina RiccĆ², Politecnico di Milano, Italy
Organizational direction
MarĆ­a JosĆ© de CĆ³rdoba (University of Granada, Dpto. de Dibujo / FundaciĆ³n Internacional ArtecittĆ , Granada, Spain); Francisco Toro Ceballos (Ɓrea de Cultura, Ayto. de AlcalĆ” la Real, JaĆ©n)


Submission Guidelines

The call is for two categories of participants:


. Participant A: professionals (artists, musicians, designers and performers)

. Participant B: university (B1: professors; B2: students, or graduated within the last 24 months).


What can you submit?

Any Moving Image (video, animations, etc.) – only visual kinetic work, audiovisual, or interactive
– is eligible for submission. University professors can submit a collection of didactic works. Students, one or
more works, produced in an university course. The work does not have to be published and must be free from copyrights.

How to make submissions

Digital work can be submitted on Cd-Rom or Dvd (or with wetransfer.com, if under 100Mb). The files with the works can be in the following
Formats (to the best quality): .MOV, .AVI, .MP4 (codec H264).
For other formats, send your questions to:

info@artecitta.es, or info@sinestesie.it. Each work, or collection of works, must be accompanied with the appropriate “Entry Form” completed. CDs and Dvd cannot be returned.

Popular posts from this blog

Contact - Augmented Acoustics

Felix Faire (UK), a Parametric System Designer had designed some very interesting interactive installations. One of these, Contact is an interface with which to manipulate and visualize sounds. Beautiful results. View Contact: Augmented Acoustics CONTACT: Augmented Acoustics from Felix Faire on Vimeo . "CONTACT is a tangible audio interface to manipulate and visualize sounds generated from interaction with a simple wooden surface. Any physical contact with the table generates acoustic vibrations which are manipulated and visualized LIVE as they occur using several communicating pieces of software. All code will be opensource and available on github. Bartlett School of Architecture Msc AAC Tutor: Ruairi Glynn" More information: http://www.coroflot.com/felixfaire/profile Vimeo Channel: https://vimeo.com/felixfaire

International Call for Works - VISUAL MUSIC FESTIVAL

I am very happy to announce the call for works for visual music films for a visual music festival devoted to contemporary practice to be held at the University of Kentucky, US. Why I am very proud is one of my former students is involved in organising this, well done Kristine  SCFA Visual Music Festival 2025 @ The University of Kentucky Call for visual music films, Deadline is 15th December 2024 General Rules: • The films must be made entirely with abstract imagery, avoiding representation. That is: no cars, no people, no landscapes, no texts, etc. • You can use any technique you’d like: drawing, video composition, cgi, scratch, op-art, stop-motion, camera-less… • The soundtrack cannot feature any words, in any language. If you’re using a song, this must be instrumental or feature non-narrative voices, (no lyrics). • Maximum running time is 8 minutes. • Open and/or closing credits are welcome. • Films must have been produced after 2017. • We kindly request authors to enter their fi...

D.D. Jameson - Colour Music (1844)

D.D. Jameson devised a systematic approach to create a colour music score for a specially adapted piano. His scores took the information from a piano music score and applied it to a sound-music colour scheme and translated it into a colour score. The colour score communicated the musical information - such as notes, rhythm, durations. His score was to link to a special adaptation of a piano music instrument that would have the keys prepared with the relevant colours. The musician could then play the piano by following the colour music score.  Not only were the piano keys to be coloured according to his colour to tone analogy system but the score was to also communicate other aspects of the musicianship such as: the intervals of the music, the notes and their octaves, by mapping the height of the colour to the octave of the note and the width of the colour to the duration of the note. "A pianoforte having been prepared in the manner described, any air may be slo...