Skip to main content

PROJECT: Snoösphere responsive art installation

Lull Studio

Lull Studio is a transdisciplinary creative practice that crosscuts art, science and city cultures, we are inspired by pop culture, the future, are drawn to deep theory, and fascinated by the fast-developing technologies of being.  They have studios in Berlin and Tokyo and are Elena Knox and Lindsay Webb. They also work with associate artists Ed Leckie and Lian Loke.

PROJECT

Snoösphere by Lull Studio

Snoösphere is an expansive, responsive art installation where audiences can roam, touch and explore. It's designed and created with autistic artists, who have a unique, enhanced sense of how spaces perform sensorially and energetically. Its immersive sound, vision, aroma, and touch- and heat-controlled elements affect the entire sensorium, pushing boundaries of engagement and arts access while gaining insight into neuro-diversity.

Snoösphere

A gallery-based living lab, Snoösphere designs forward to a fully networked world based on advanced technological and synthesized communication. While the noösphere is understood as the future planetary sphere of mind, Snoösphere additionally promotes a radically embodied and environmental consciousness.

For this project, Lull Studio collaborating artists include Dawn-joy Leong, Frank Feltham and James Curtis, Raewyn Turner and Brian Harris, Marty Jay, and Jonathon Bolitho with Hakea.

Websites

More about Snoösphere (and design process)

http://lull.studio/projects/snoosphere.htm

More about Lull Studio

http://lull.studio/about.htm

List of Lull Studio Projects

http://lull.studio/projects.htm

Labels:

Popular posts from this blog

Contact - Augmented Acoustics

Felix Faire (UK), a Parametric System Designer had designed some very interesting interactive installations. One of these, Contact is an interface with which to manipulate and visualize sounds. Beautiful results. View Contact: Augmented Acoustics CONTACT: Augmented Acoustics from Felix Faire on Vimeo . "CONTACT is a tangible audio interface to manipulate and visualize sounds generated from interaction with a simple wooden surface. Any physical contact with the table generates acoustic vibrations which are manipulated and visualized LIVE as they occur using several communicating pieces of software. All code will be opensource and available on github. Bartlett School of Architecture Msc AAC Tutor: Ruairi Glynn" More information: http://www.coroflot.com/felixfaire/profile Vimeo Channel: https://vimeo.com/felixfaire
Read more

D.D. Jameson - Colour Music (1844)

D.D. Jameson devised a systematic approach to create a colour music score for a specially adapted piano. His scores took the information from a piano music score and applied it to a sound-music colour scheme and translated it into a colour score. The colour score communicated the musical information - such as notes, rhythm, durations. His score was to link to a special adaptation of a piano music instrument that would have the keys prepared with the relevant colours. The musician could then play the piano by following the colour music score.  Not only were the piano keys to be coloured according to his colour to tone analogy system but the score was to also communicate other aspects of the musicianship such as: the intervals of the music, the notes and their octaves, by mapping the height of the colour to the octave of the note and the width of the colour to the duration of the note. "A pianoforte having been prepared in the manner described, any air may be slo...
Read more

International Call for Works - VISUAL MUSIC FESTIVAL

I am very happy to announce the call for works for visual music films for a visual music festival devoted to contemporary practice to be held at the University of Kentucky, US. Why I am very proud is one of my former students is involved in organising this, well done Kristine  SCFA Visual Music Festival 2025 @ The University of Kentucky Call for visual music films, Deadline is 15th December 2024 General Rules: • The films must be made entirely with abstract imagery, avoiding representation. That is: no cars, no people, no landscapes, no texts, etc. • You can use any technique you’d like: drawing, video composition, cgi, scratch, op-art, stop-motion, camera-less… • The soundtrack cannot feature any words, in any language. If you’re using a song, this must be instrumental or feature non-narrative voices, (no lyrics). • Maximum running time is 8 minutes. • Open and/or closing credits are welcome. • Films must have been produced after 2017. • We kindly request authors to enter their fi...
Read more