Jim Andrews - Interactive Audio + Color music + Digital Poetry

Jim Andrews - Interactive Audio + Color music + Digital Poetry - 2022

Jim Andrews

Jim Andrews is a net artist, poet, programmer, visual and audio artist, mathematician and essayist.

Andrews has created a new interactive audio, colour music and digital poetry application, titled Enigma n2022 that can be accessed via the internet in your own browser to create a variety of sounds and visual music. First use is free, then the app can be purchased and downloaded from a range of app stores.

From the words of Jim in his press release, he describes Enigma n2022 as "a philosophical music & poetry toy for poets, musicians & philosophers from the age of 7 up. This is a new sort of poem. A new sort of music. A new sort of toy. A new sort of instrument. A new sort of art. This puts it all together."

Credits:
Jim Andrews: Concept, code, design, visuals, audio
Natalie Funk: Design consultant, App developer
Jeremy Owen Turner: Art consultant

There are many modes of interacting with the controls, for example: "If you do nothing, it performs in 'gallery mode'—which it enters when there's no input for 2 minutes (or after you press 'g'). You just watch and listen, then. If, on the other hand, you interact via touch, mouse or keyboard, it enters 'interactive mode' and responds to you.

As Jim further explains: "Click the background until it's all funky—or click and hold for zipFunk, which fast-forwards you into the unknown, the interzone, through revolutions of the meanometer color pie at top left. Set the speed of meaning slider, the audio pitch range, anywhere from 10 octaves down to 2 octaves up. You glimpse different worlds of meaning in the different levels of pitch—though the 5-second audio source sound is vocal—of the word 'meaning' intoned thrice, played backwards once, forwards twice.

...This is the enigma of meaning—not a shortage of it."

Best with headphones.

Video demonstration and talk by Andrews on Enigma n2022

Further Information

Interactive Art and Music App: Enigma n2022
https://enigman.vispo.com/

Watch on Youtube
https://www.youtube.com/watch?v=JX8SWu6tAoc

Jim Andrews Website
https://vispo.com/cv/ja.htm

Essay on Enigma n2022 by Jim Andrews
https://vispo.com/writings/essays/Enigman2022.pdf

Contact - Augmented Acoustics

Felix Faire (UK), a Parametric System Designer had designed some very interesting interactive installations. One of these, Contact is an interface with which to manipulate and visualize sounds. Beautiful results. View Contact: Augmented Acoustics CONTACT: Augmented Acoustics from Felix Faire on Vimeo . "CONTACT is a tangible audio interface to manipulate and visualize sounds generated from interaction with a simple wooden surface. Any physical contact with the table generates acoustic vibrations which are manipulated and visualized LIVE as they occur using several communicating pieces of software. All code will be opensource and available on github. Bartlett School of Architecture Msc AAC Tutor: Ruairi Glynn" More information: http://www.coroflot.com/felixfaire/profile Vimeo Channel: https://vimeo.com/felixfaire

D.D. Jameson - Colour Music (1844)

D.D. Jameson devised a systematic approach to create a colour music score for a specially adapted piano. His scores took the information from a piano music score and applied it to a sound-music colour scheme and translated it into a colour score. The colour score communicated the musical information - such as notes, rhythm, durations. His score was to link to a special adaptation of a piano music instrument that would have the keys prepared with the relevant colours. The musician could then play the piano by following the colour music score. Not only were the piano keys to be coloured according to his colour to tone analogy system but the score was to also communicate other aspects of the musicianship such as: the intervals of the music, the notes and their octaves, by mapping the height of the colour to the octave of the note and the width of the colour to the duration of the note. "A pianoforte having been prepared in the manner described, any air may be slo...

International Call for Works - VISUAL MUSIC FESTIVAL

I am very happy to announce the call for works for visual music films for a visual music festival devoted to contemporary practice to be held at the University of Kentucky, US. Why I am very proud is one of my former students is involved in organising this, well done Kristine SCFA Visual Music Festival 2025 @ The University of Kentucky Call for visual music films, Deadline is 15th December 2024 General Rules: • The films must be made entirely with abstract imagery, avoiding representation. That is: no cars, no people, no landscapes, no texts, etc. • You can use any technique you’d like: drawing, video composition, cgi, scratch, op-art, stop-motion, camera-less… • The soundtrack cannot feature any words, in any language. If you’re using a song, this must be instrumental or feature non-narrative voices, (no lyrics). • Maximum running time is 8 minutes. • Open and/or closing credits are welcome. • Films must have been produced after 2017. • We kindly request authors to enter their fi...

Visual Music

Search This Blog