Skip to main content

PUBLICATION: Synesthesia: intersensory aspects of cognitive activity in science and art

PUBLICATION: Synesthesia: intersensory aspects of cognitive activity in science and art

Svetlana Rudenko (Pianist) and Maura McDonnell (Visual Music Artist) - Visual Music Collaboration on Scriabin Piano Sonata No.5., Moscow, 2019

Cover of Publication:

Moscow International conference Synaesthesia: Cross-Sensory Aspects of Cognition Across Science and Art.
Proceedings of the II International Conference of the International Association of Synesthetes, Artists and Scientists (IASAS)


The book consists of the proceedings and materials of the II International Conference of the International Association of Synesthetes, Artists and Scientists (IASAS).  The title of the conference was Synaesthesia: Cross-Sensory Aspects of Cognition Across Science and Art and it was held in Moscow.   The editor-in-chief for this publication is A.V. Sidoroff-Dorso (IASAS Vice President  of Academics, Science, and Global Enterprise)

ISBN: 978-94051-260-8

Publisher: Moscow State Psychological and Pedagogical University

Year of publication: 2021

Format: online edition

ŠŸŠ¾Ń€Ń‚Š°Š» ŠæсŠøхŠ¾Š»Š¾Š³ŠøчŠµŃŠŗŠøх ŠøŠ·Š“Š°Š½ŠøŠ¹ PsyJournals.ru — https://psyjournals.ru/synaesthesia2021/issue/index.shtml [Synesthesia: intersensory aspects of cognitive activity in science and art]


Table of contents




I am proud to mention that the cover photo consists of a visual music performance of Scriabin's Sonata N5  by concert pianist Svetlana Rudenko with visuals crafted by Maura McDonnell for the performance.







Popular posts from this blog

Contact - Augmented Acoustics

Felix Faire (UK), a Parametric System Designer had designed some very interesting interactive installations. One of these, Contact is an interface with which to manipulate and visualize sounds. Beautiful results. View Contact: Augmented Acoustics CONTACT: Augmented Acoustics from Felix Faire on Vimeo . "CONTACT is a tangible audio interface to manipulate and visualize sounds generated from interaction with a simple wooden surface. Any physical contact with the table generates acoustic vibrations which are manipulated and visualized LIVE as they occur using several communicating pieces of software. All code will be opensource and available on github. Bartlett School of Architecture Msc AAC Tutor: Ruairi Glynn" More information: http://www.coroflot.com/felixfaire/profile Vimeo Channel: https://vimeo.com/felixfaire
Read more

D.D. Jameson - Colour Music (1844)

D.D. Jameson devised a systematic approach to create a colour music score for a specially adapted piano. His scores took the information from a piano music score and applied it to a sound-music colour scheme and translated it into a colour score. The colour score communicated the musical information - such as notes, rhythm, durations. His score was to link to a special adaptation of a piano music instrument that would have the keys prepared with the relevant colours. The musician could then play the piano by following the colour music score.  Not only were the piano keys to be coloured according to his colour to tone analogy system but the score was to also communicate other aspects of the musicianship such as: the intervals of the music, the notes and their octaves, by mapping the height of the colour to the octave of the note and the width of the colour to the duration of the note. "A pianoforte having been prepared in the manner described, any air may be slo...
Read more

International Call for Works - VISUAL MUSIC FESTIVAL

I am very happy to announce the call for works for visual music films for a visual music festival devoted to contemporary practice to be held at the University of Kentucky, US. Why I am very proud is one of my former students is involved in organising this, well done Kristine  SCFA Visual Music Festival 2025 @ The University of Kentucky Call for visual music films, Deadline is 15th December 2024 General Rules: • The films must be made entirely with abstract imagery, avoiding representation. That is: no cars, no people, no landscapes, no texts, etc. • You can use any technique you’d like: drawing, video composition, cgi, scratch, op-art, stop-motion, camera-less… • The soundtrack cannot feature any words, in any language. If you’re using a song, this must be instrumental or feature non-narrative voices, (no lyrics). • Maximum running time is 8 minutes. • Open and/or closing credits are welcome. • Films must have been produced after 2017. • We kindly request authors to enter their fi...
Read more