Joseph Hyde - Sound and Video Multimedia

Joe Hyde's project Zeotrope 1998 "explores issues around the relationship between people and machines, and questions perceptions of the 'perfection' of technology. It is about use and misuse; abuse, breakdown. "

View video and info at: http://www.josephhyde.co.uk/video/zoetrope/

Joseph Hyde's website provides documentation, video clips and audio clips of his projects and collaborations. His work combines media into audiovisual works - electroacoustic music and video, interactive projects etc. He uses digital and electronic media to make sonic and multimedia works, installations and performances. Areas of exploration in his work are the complex interaction of abstract sound and image, and the integration of interactive technology into live performance where he also works with improvisation and sampling. More info available on his website

Blog update May 2011

"Sound is absolutely at the centre of Zoetrope. It is the sound that carries the piece, dictates its form. The video images are forced to conform to ‘musical’ rules, made part of the texture of something that is essentially a piece of music. Sound and image have a complex relationship in the work; not so much mixed as interleaved. They flutter around each other, not quite making contact, but defining one another, by absence as much as presence. They work together to make a meta-texture, highlight aspects of one another, but remain essentially independent."
source: http://www.josephhyde.co.uk/video/zoetrope/

Watch on vimeo
Zeotrope Part 1

Zoetrope - part 1 from Joseph Hyde on Vimeo.

Joseph Hyde Vimeo Channel

http://vimeo.com/josephhyde/videos

Contact - Augmented Acoustics

Felix Faire (UK), a Parametric System Designer had designed some very interesting interactive installations. One of these, Contact is an interface with which to manipulate and visualize sounds. Beautiful results. View Contact: Augmented Acoustics CONTACT: Augmented Acoustics from Felix Faire on Vimeo . "CONTACT is a tangible audio interface to manipulate and visualize sounds generated from interaction with a simple wooden surface. Any physical contact with the table generates acoustic vibrations which are manipulated and visualized LIVE as they occur using several communicating pieces of software. All code will be opensource and available on github. Bartlett School of Architecture Msc AAC Tutor: Ruairi Glynn" More information: http://www.coroflot.com/felixfaire/profile Vimeo Channel: https://vimeo.com/felixfaire

D.D. Jameson - Colour Music (1844)

D.D. Jameson devised a systematic approach to create a colour music score for a specially adapted piano. His scores took the information from a piano music score and applied it to a sound-music colour scheme and translated it into a colour score. The colour score communicated the musical information - such as notes, rhythm, durations. His score was to link to a special adaptation of a piano music instrument that would have the keys prepared with the relevant colours. The musician could then play the piano by following the colour music score. Not only were the piano keys to be coloured according to his colour to tone analogy system but the score was to also communicate other aspects of the musicianship such as: the intervals of the music, the notes and their octaves, by mapping the height of the colour to the octave of the note and the width of the colour to the duration of the note. "A pianoforte having been prepared in the manner described, any air may be slo...

International Call for Works - VISUAL MUSIC FESTIVAL

I am very happy to announce the call for works for visual music films for a visual music festival devoted to contemporary practice to be held at the University of Kentucky, US. Why I am very proud is one of my former students is involved in organising this, well done Kristine SCFA Visual Music Festival 2025 @ The University of Kentucky Call for visual music films, Deadline is 15th December 2024 General Rules: • The films must be made entirely with abstract imagery, avoiding representation. That is: no cars, no people, no landscapes, no texts, etc. • You can use any technique you’d like: drawing, video composition, cgi, scratch, op-art, stop-motion, camera-less… • The soundtrack cannot feature any words, in any language. If you’re using a song, this must be instrumental or feature non-narrative voices, (no lyrics). • Maximum running time is 8 minutes. • Open and/or closing credits are welcome. • Films must have been produced after 2017. • We kindly request authors to enter their fi...

Visual Music

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