Skip to main content

Edwin van der Heide - Sound Modulated Light #1

Edwin van der Heide - Sound Modulated Light #1 Installation




sound modulated light installation screenshot

"Sound Modulated Light #1 is an environment of light and sound. The sound is not present acoustically, but is radiated by the lights. The light sources are the carriers of the sound. Every light source in the arranged space has a double role, simultaneously being part of the light design and part of the sound design. The sound is modulated on top of the light by means of intensity modulation. The lights flicker, but mostly at a speed that cannot be perceived by the human eye."
source text

Photos available at:
http://www.evdh.net/sound_modulated_light/

More projects by Edwin van der Heide at:

http://www.evdh.net/

Update: May 2011

"Sound Modulated Light is an environment of light and sound wherein sound is not present acoustically, but is carried by light. The space consists of a design of multiple lights. Each light bulb has its own soundtrack assigned to it. The sound is modulated on top of the light by means of intensity modulation. Low audio frequencies result in a visible flickering of the lights. Higher audio frequencies result in a flickering that is too fast to be perceived by our eyes."

"The visitors get a special hand-held device that makes the modulated light audible as sound on a headphone. The receiver consists of two light sensors (one for the left ear and one for the right ear), a demodulator part and an amplifier part to drive the headphone. You could call it a light receiver instead of a radio receiver. The loudness of the sounds depends on the intensity of the amount of light 'picked up' by the receiver. By moving around in the space, and by moving the receiver different combinations of light are falling on the light sensors. Since every light corresponds to a different track of the composition the audience is (re-)mixing and combining the different tracks of the composition. The sound changes according to the movements of the receiver because every light carries a different sound. The sound material consists of electronic sounds that slowly transform over time. Each track (light bulb) has its own musical development and its own duration. The sounds are composed in such a way that they are meant to be combined. Moving the receiver will result in different combinations of the composed sounds and gives an interesting level of control to the visitors. Sound Modulated Light is a participative environment in which the visitors are invited to explore and interact with the space. "
http://www.evdh.net/sound_modulated_light/

Youtube video: Edwin van der Heide describes his Wood Street Galleries installation Sound Modulated Light #1.

Popular posts from this blog

Contact - Augmented Acoustics

Felix Faire (UK), a Parametric System Designer had designed some very interesting interactive installations. One of these, Contact is an interface with which to manipulate and visualize sounds. Beautiful results. View Contact: Augmented Acoustics CONTACT: Augmented Acoustics from Felix Faire on Vimeo . "CONTACT is a tangible audio interface to manipulate and visualize sounds generated from interaction with a simple wooden surface. Any physical contact with the table generates acoustic vibrations which are manipulated and visualized LIVE as they occur using several communicating pieces of software. All code will be opensource and available on github. Bartlett School of Architecture Msc AAC Tutor: Ruairi Glynn" More information: http://www.coroflot.com/felixfaire/profile Vimeo Channel: https://vimeo.com/felixfaire

International Call for Works - VISUAL MUSIC FESTIVAL

I am very happy to announce the call for works for visual music films for a visual music festival devoted to contemporary practice to be held at the University of Kentucky, US. Why I am very proud is one of my former students is involved in organising this, well done Kristine  SCFA Visual Music Festival 2025 @ The University of Kentucky Call for visual music films, Deadline is 15th December 2024 General Rules: • The films must be made entirely with abstract imagery, avoiding representation. That is: no cars, no people, no landscapes, no texts, etc. • You can use any technique you’d like: drawing, video composition, cgi, scratch, op-art, stop-motion, camera-less… • The soundtrack cannot feature any words, in any language. If you’re using a song, this must be instrumental or feature non-narrative voices, (no lyrics). • Maximum running time is 8 minutes. • Open and/or closing credits are welcome. • Films must have been produced after 2017. • We kindly request authors to enter their fi...

D.D. Jameson - Colour Music (1844)

D.D. Jameson devised a systematic approach to create a colour music score for a specially adapted piano. His scores took the information from a piano music score and applied it to a sound-music colour scheme and translated it into a colour score. The colour score communicated the musical information - such as notes, rhythm, durations. His score was to link to a special adaptation of a piano music instrument that would have the keys prepared with the relevant colours. The musician could then play the piano by following the colour music score.  Not only were the piano keys to be coloured according to his colour to tone analogy system but the score was to also communicate other aspects of the musicianship such as: the intervals of the music, the notes and their octaves, by mapping the height of the colour to the octave of the note and the width of the colour to the duration of the note. "A pianoforte having been prepared in the manner described, any air may be slo...