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Visual Music

The Visual Music blog by Maura McDonnell gathers resources of interest to the art of visual music. The blog in particular includes websites that document work, artists, filmmakers, composers, musicians, video artists, exhibitions, call for worlds and events that work with the art and medium of visual and sound. All forms and presentations of visual music and audiovisual composition and performance are considered. This blog contains an extensive archive as it has been active since 2005.

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Showing posts from January, 2018

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NEW: Oskar Fischinger DVD - Available to order at CVM
Oskar Fischinger: Visual Music CVM (Center for Visual Music) has just released a new Oskar Fischinger DVD available now to order from CVM, entitled: Oskar Fischinger: Visual Music The DVD features the following works: Study no. 2, c. 1930, silent Study no. 5, 1930 Study no. 8, 1931 Coloratura, 1932 Muratti greift ein (Muratti Marches On), 1934 Swiss Trip (Rivers and Landscapes), 1934 Komposition in Blau (Composition in Blue), 1935 ( excerpt online ) An American March, 1941 with bonus features: Pierrette I, 1924-26 1920s-30s Home Movies and Experiments, Berlin (black and white) Squares fragment (1934) and various 1930s color animation tests, image below (note, Squares image is from original artwork painted for the film) "Concerto" and ne…

on January 19, 2018

Abstract Animation animation archive Center for Visual Music CVM DVD film Oskar Fischinger Visual Music Visual Music History

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Seeing Sound 2018 - Call for Works and Papers - Deadline EXTENDED to 24th January 2018
The bi-annual Seeing Sound Symposium is seeking works and papers for its forthcoming symposium to be held in Bath Spa University, UK The deadline is VERY soon - tomorrow the 19th January 2018 has been extended to 24th January 2018 - so time to get your entries in. Please do get your paper ideas and or works submitted for consideration for this exciting and worthwhile event. Visit: http://www.seeingsound.co.uk/2018-2/seeing-sound-2016-submissions/ to submit. Seeing Sound Website: http://www.seeingsound.co.uk/ PRESS RELEASE: "Seeing Sound will return for its 5th edition on the 23rd-25th March 2018. We are now open for submissions of papers and audiovisual work, deadline 19th Jan! Seeing Sound is an informal practice-led symposium exploring multime…

on January 18, 2018

2018 Arts Practice Research Bath Spa University Call for papers Call for submissions Call for works Exhibitions Conferences Festivals Seeing Sound symposium

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Maura McDonnell

Maura McDonnell is a visual music artist and researcher based in Ireland. She creates visuals for new music and electronic music concerts, fixed media and installation productions. The medium of choice is visual effects and generative effects video and the style of her work is abstract. The meaningfulness that she seeks in her work is to explore the emotional, musical and evocativeness potential of music in a shared similarly crafted visual world. Maura also lectures on the M.Phil in Music Media Technology Masters Course at Trinity College, Dublin, Ireland and support students to engage with visual music in their own works. Please get in touch if you would like to include your work or research on this blog.

Email:
mmcdonn@gmail.com

Website:
www.mauramcdonnell.com

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Links to Useful Resources

Center for Visual Music
Cimatics
Colour and Sound - Visual Music
Digicult
IotaCenter
Musica Visual
Pixelsumo
Projet Synesthéorie
Rhythmic Light
Seeing Sound Symposium
Sonore-visuel
Video Circuits
Visual Music Archive
Visual Music Marathon
Visual Music Ning

Popular Posts

D.D. Jameson - Colour Music (1844)

D.D. Jameson devised a systematic approach to create a colour music score for a specially adapted piano. His scores took the information from a piano music score and applied it to a sound-music colour scheme and translated it into a colour score. The colour score communicated the musical information - such as notes, rhythm, durations. His score was to link to a special adaptation of a piano music instrument that would have the keys prepared with the relevant colours. The musician could then play the piano by following the colour music score. Not only were the piano keys to be coloured according to his colour to tone analogy system but the score was to also communicate other aspects of the musicianship such as: the intervals of the music, the notes and their octaves, by mapping the height of the colour to the octave of the note and the width of the colour to the duration of the note. "A pianoforte having been prepared in the manner described, any air may be slo

Contact - Augmented Acoustics

Felix Faire (UK), a Parametric System Designer had designed some very interesting interactive installations. One of these, Contact is an interface with which to manipulate and visualize sounds. Beautiful results. View Contact: Augmented Acoustics CONTACT: Augmented Acoustics from Felix Faire on Vimeo . "CONTACT is a tangible audio interface to manipulate and visualize sounds generated from interaction with a simple wooden surface. Any physical contact with the table generates acoustic vibrations which are manipulated and visualized LIVE as they occur using several communicating pieces of software. All code will be opensource and available on github. Bartlett School of Architecture Msc AAC Tutor: Ruairi Glynn" More information: http://www.coroflot.com/felixfaire/profile Vimeo Channel: https://vimeo.com/felixfaire

International Call for Works - VISUAL MUSIC FESTIVAL

I am very happy to announce the call for works for visual music films for a visual music festival devoted to contemporary practice to be held at the University of Kentucky, US. Why I am very proud is one of my former students is involved in organising this, well done Kristine SCFA Visual Music Festival 2025 @ The University of Kentucky Call for visual music films, Deadline is 15th December 2024 General Rules: • The films must be made entirely with abstract imagery, avoiding representation. That is: no cars, no people, no landscapes, no texts, etc. • You can use any technique you’d like: drawing, video composition, cgi, scratch, op-art, stop-motion, camera-less… • The soundtrack cannot feature any words, in any language. If you’re using a song, this must be instrumental or feature non-narrative voices, (no lyrics). • Maximum running time is 8 minutes. • Open and/or closing credits are welcome. • Films must have been produced after 2017. • We kindly request authors to enter their film/s

Larry Cuba - Extract from Film First Fig (1974)

Larry Cuba gave a master class at Punto Y Raya Festival in 2023, October 11. It is now available to watch on the Punto Y Raya YouTube Channel. In this master class he gives us an incredible archaeological dig (as he introduces his class) into the early days of computer graphics and how he made his computer animated graphic films. Incredibly, he shows a short excerpt of one of his first computer graphic films made at the JPL (Jet Propulsion Lab, Pasadena, California in 1974. Excerpt of First Fig by Larry Cuba 1974

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Maura McDonnell