Visual Music

Christina McPhee's three channel video triptych, Bird of Paradise (Christina McPhee 2011) is a stunning silent visual music work, with such visual harmony and balance - a very beautiful work. Bird of Paradise three channels / 10 minutes / HD video /silent / 2011 bird of paradise / channel three from Christina McPhee on Vimeo . It will premiere in a program curated by the Center for Visual Music at LACMA (Los Angeles County Museum of Art), in late July. The program will screen at LACMA through January 2012. Location: Stark Bar, central plaza (new design by Renzo Piano), LACMA. Check out many of Christina's work on her vimeo channel (to date 39 uploaded) http://vimeo.com/christinamcphee/videos Christina's website: http://www.christinamcphee.net/ About Christina "Christina McPhee’s visual art, media and writings consider site as landscape and language. She develops film and media works that montage remote landscape footage at high – tech energy inst...

Opening late July,2011, Los Angeles: Expanded Abstraction : A special 3-screen program from CVM featuring Scott Draves' Generation 244, plus work by Robert Seidel, Baerbel Neubauer, Christina McPhee, Maura McDonnell and Charles Dockum. Curated by Cindy Keefer. LA County Museum of Art, central plaza, Stark Bar. On view beginning July 28, evenings through January, 2012. Images courtesy Scott Draves and the Electric Sheep. PREVIEW of McPhee's Bird of Paradise video triptych. (re posted from CVM events page: http://www.centerforvisualmusic.org/Events.htm OPENING NIGHT - Thursday, July 28 Please join CVM at LACMA at Stark Bar - Thursday, July 28 CVM's new *Expanded Abstraction* 3-screen program begins in LACMA's Stark Bar (central plaza, next to main entrance) at 8 pm...that's the same night as Marclay's THE CLOCK 24 hour screening in Bing Theatre...so please join us while taking a break from The CLOCK, as Stark Bar will be open until 2am screening the C...

Fast Forward: Conversations with machines From camera obscura to cybernetics: filmmaker Joost Rekveld outlines experimental cinema from its hidden past to a distant future. By Joost Rekveld Essay Quote from essay "In this essay I want to develop my thoughts about possible futures for what is now referred to as experimental cinema, inspired by some of the ideas behind expanded cinema. Experimental cinema is a marginal cinema, not in the sense that its purpose is to remain obscure forever, but in the sense that those filmmakers are called experimental who challenge the categories of mainstream cinema. These same artists often cross over from or into other disciplines, so in order not to lose ourselves in speculations concerning the future of everything, we will have to rewind until we find a starting point from which we can can try and extrapolate. " View online at: http://preview.instantcinema.org/essays/852/Fast-Forward-Conversations-with-machines Joost Rekve...

GENERATION Z RUSSIAN PIONEERS OF SOUND ART AND MUSICAL TECHNOLOGY IN 1910-1930 June 9 - July 20, 2011 OSA Archivum and the authors of GENERATION Z exhibition cordially invite you to the opening which will take place on 9th of June at 6:00 p.m. The exhibition will run at OSA Archivum, Budapest from June 9 till July 20, 2011.  ADDRESS: 1051 BUDAPEST, ARANY J. U. 32. http://www.osaarchivum.org/ exhibition details at http://bit.ly/lSXejp Variophone, theremin terpsitone, rhythmicon, emiriton, ekvodin, graphical sound – just to mention a few of the amazing innovations of the beginning of the 20th century in Soviet Russia, a country and time turbulent with revolutions, wars and totalitarian dictatorship. While the history of Russian post-revolutionary avant-garde art and music is fairly well documented, the inventions and discoveries, names and fates of researchers of sound, creators of musical machines and noise orchestras, founders of new musical technologies have been larg...

Oskar Fischinger (1900-1967) Major Painting Exhibition at the Peyton Wright Gallery - Santa Fe, New Mexico Opening July 2011 Oskar Fischinger - Layers of Sound Oskar Fischinger's paintings are being exhibited at the art dealers gallery - Peyton Wright Gallery.  These paintings are a real treat to view.  Peyton Wright Gallery have put many of Oskar Fischinger's paintings online, many of these have probably not been seen before, as they have not been put online before. Some of these paintings have strong musical themes.  There are several that I really like and a beautiful one for me is, Layers of Sound.  However, there are many others and Fischinger's very distinct artistic and aesthetic style is really apparent.  A great treat to be able to view these paintings online via the Peyton Wright Gallery, and if you are lucky enough to be near Sante Fe, a treat to see in reality. View Paintings online at: http://www.peytonwright.com/art/main.php?g2_itemId=9...

"'Raumlichtmusik' - Early 20th Century Abstract Cinema Immersive Environments." Essay by Cindy Keefer (Director Center for Visual Music ) "Leonardo Electronic Almanac, Creative Data Special Issue. Leonardo: The International Society for the Arts, Sciences, and Technology, and MIT Press. October 2009." This is an important historical visual music essay on Oskar Fischinger and Jordan Belson's early experiments in creating abstract cinema for immersive projection environments. It traces the origins in their work of what is more common today - the immersive multimedia environment. Information about plans Fischinger had to present a multimedia performance for the Farblichtmusik shows (started by László) has been researched and documented in this essay and is very exciting information to check out for the scholar interested in accurately tracing the origins of visual music and in particular, its links to contemporary multimedia performance. The vorte...

I have been coming across Andrew Hill's name in relation to visual music quite frequently recently. An up and coming artist and researcher in the audio-visual artwork genre. Flux is quite beautiful in its sound and image relationships - ordered, synaesthetic, gorgeous. More info on Andrew Hill "Andrew Hill is a composer from the UK. He studied electroacoustic music and music technology at Keele and De Montfort Universities electing to focus his studies upon audio-visual composition. He is currently conducting PhD research investigating audience reception of electroacoustic audio-visual artworks with Leigh Landy and Bret Battey at De Montfort University." Source: http://vimeo.com/andrewhill Flux Flux from Andrew Hill on Vimeo . "An audiovisual piece inspired by cyclic patterns, exploring sound and image relationships." Source: http://vimeo.com/20174827 See also: http://visualmusic.ning.com/profile/AndrewHill