Visual Music

"This work is the result of a chance meeting between two studies: one sound: a study by Pierre Schaeffer , the other visual: sequences shot by the artist Raymond Hains with fluted lens whose movements multiply and colorful animated graphics." google translate from website link below Link: http://www.ina.fr/fresques/artsonores/fiche-media/InaGrm00201/etude-aux-allures.html Article: Aural Vision and Non-Sense – A certain cinema… that one could call concrete on Curating the Moving Image Blog and article post A concrete cinema link

Mark Rowan-Hull - Performance Painting Mark explores 'the invigorating ephemeral qualities of visual art and the encapsulating of time in Music via performance'.  He creates and performs painting responding to music.   "In order to publicise his ideas of visualising music Mark embarked on a series of exciting performances and events involving painting live on stage responding to music by composers such as Messiaen, Scriabin, Debussy, Shostakovich and George Crumb together with Jazz and improvisation. These performances took place in a wide variety of settings including the Royal Academy of Music, Royal Festival Hall, Liverpool Metropolitan Cathedral and Ronnie Scott’s Jazz club. source:  http://www.rowan-hull.com/biography/ Website:  http://www.rowan-hull.com/ Vimeo:  https://vimeo.com/rowanhull Performance at South Bank Centre, November 2011 https://vimeo.com/42782825

WHAT YOU SEE IS WHAT YOU HEAR Lis Rhodes recent work, Light Music is installed in Tate Modern, London, Uk from 18th July - 28th October, 2012. " Light Music  is an innovative work presented originally as a performance that experiments with celluloid and sound to push the formal, spatial and performative boundaries of cinema. An iconic work of expanded cinema, it creates a more central and participatory role for the viewer within a dynamic, immersive environment... Light Music  is Rhodes’s response to what she perceived as the lack of attention paid to women composers in European music. She composed a ‘score’ comprised of drawings that form abstract patterns of black and white lines onscreen. The drawings are printed onto the optical edge of the filmstrip. As the bands of light and dark pass through the projector they are ‘read’ as audio, creating an intense soundtrack, forming a direct, indexical relationship between the sonic and the visual. What one hears is the aura...

Sergio Maltagliati CIRCUS 5.1 UNICUM GRAPHICS The images of HomeArt programs by Pietro Grossi, are proposed through software by Sergio Maltagliati. This is a software which generates always different graphical variations.  It is based on HomeArt’s Basic source code.  The music program produces an automatic and generative music,starting from a simple sound cell. Visu@lMusic/HomeArt www.visualmusic.it free video download: http://www.pietrogrossi.org/cerchio4_2_unicum.7z download images: http://www.pietrogrossi.org/Cerchio_4_2%20immagini.7z About "A/V interactive compositions on the NET by Sergio Maltagliati Beginning with netOper@ in 1997, Sergio Maltagliati has created works on the Internet that combine audio and video elements into an intriguing interactive Internet experience. As far as a formal education, Maltagliati studied music at the Conservatory “Luigi Cherubini” in Florence, Italy. Shortly after he finished his education at the Conservatory he bega...

OSKAR FISCHINGER: SPACE LIGHT ART—A FILM ENVIRONMENT JUNE 28–OCTOBER 28, 2012 Whitney Museum, Los Angeles "This exhibition presents one of the first multimedia projections ever made—Oskar Fischinger’s Raumlichtkunst (Space Light Art), a recreation of his multiple-screen film events first shown in Germany in 1926, recently restored by the Center for Visual Music in Los Angeles. Radical in its format, its multiple screens of abstract shapes, color, and light produced an experience that, in Fischinger’s own description of his work, created “an intoxication by light from a thousand sources.” Source and for more information visit: http://whitney.org/Exhibitions/OskarFischinger Visit Center for Visual Music (CVM) events page for more visual music exhibitions and events http://www.centerforvisualmusic.org/Events.htm

David West's very beautiful piece exploring that luminous quality of light and colour. "Samadhi is a visual music work that is a tribute to the films of computer graphic pioneers, John and James Whitney. The term 'samadhi' is a Sanskrit term for a higher level of awareness. The graphics were produced in Autodesk Maya using fluids and particles." The soundtrack is called 'Evolution' by Absorption http://youtu.be/2yppl2T1Djs Youtube embed

Ryoichi Kurokawa - rheo: 5 horizons on vimeo http://vimeo.com/31319154 I previously posted an excerpt from the stunning rheo: 5 from the youtube website.  Ryoichi Kurokawa's vimeo channel is worth checking out and the wonderful rheo: 5 is on that. This is a beautiful work, and there is something about odd numbers.  The arrangement into 5 screens is really interesting, it reminds me also of the earlier work Roy Lichtenstein's Three Landscapes - again an arrangement of an odd number of screens, this time 3, it also deals with horizon. I did a short blog post on my other blog - sounding visual blog on Roy Lichtenstein's Three Landscapes, recently reshown. see: http://soundingvisual.blogspot.com/2012/01/roy-lichtensteins-three-landscapes.html Excerpt Ryoichi Kurokawa - rheo: 5 horizons "Audiovisual installation2010 5 HD displays | 5ch multi sound Duration: 08'00" Loop" rheo: 5 horizons from RYOICHI KUROKAWA on Vimeo . Website: http://www...