Visual Music

The Center for Visual Music ( CVM ) has set up a a library, gallery and archive of the history of Visual Music at Patreon. Become a member at a range of prices to access exclusive content of relevance to the history and contemporary practice of visual music. More info on CVM's collection "has the world’s largest collection of Visual Music-related materials. The collections include papers, films and artwork by Oskar Fischinger; the original research collection of animation historian Dr. William Moritz, and collections covering the history of Visual Music: artists, exhibitions, theories, color organs, vintage instruments, Expanded Cinema, performances, historic events, 1960s psychedelic light shows and more." [ source ] For more information on the CVM Patreon website and to join to get exclusive content visit:  https://www.patreon.com/CenterforVisualMusic/overview

BFI - restoration from archive. "Missing for over 80 years, this experimental film by Bauhaus teacher and artist László Moholy-Nagy was found by BFI curators embedded in a reel of film that also contained Oskar Fischinger's Early Experiments in Hand Drawn Sound. László Moholy-Nagy (1895-1946) was a tenacious, restless creative who associated with various early twentieth century vanguard art movements. Teaching at the legendary Bauhaus school, which this year sees its centenary, his early optical sound films experimented with the formal properties of film and blurred the lines between sound and image and the act of hearing and seeing sound. Newly scanned at 4K, the restoration of ABC in Sound / Tönendes ABC will receive its world premiere at BFI Southbank on 18 June." Source: https://www.youtube.com/watch?v=ui_FU-KAZMM

D.D. Jameson devised a systematic approach to create a colour music score for a specially adapted piano. His scores took the information from a piano music score and applied it to a sound-music colour scheme and translated it into a colour score. The colour score communicated the musical information - such as notes, rhythm, durations. His score was to link to a special adaptation of a piano music instrument that would have the keys prepared with the relevant colours. The musician could then play the piano by following the colour music score.  Not only were the piano keys to be coloured according to his colour to tone analogy system but the score was to also communicate other aspects of the musicianship such as: the intervals of the music, the notes and their octaves, by mapping the height of the colour to the octave of the note and the width of the colour to the duration of the note. "A pianoforte having been prepared in the manner described, any air may be slo...

BOOK: Visual Music Masters: Abstract Explorations: History and Contemporary Research Author: Adriano Abbado 2018 Adriano Abbado’s recent publication on the history and contemporary practice of Visual Music is available now. A great resource for all interested in learning more about the origins and the field of visual music. It is richly illustrated and very clearly organised and so is also really great for pedagogy purposes too. You can order the book at Amazon at the following link Adriano has provided some more information on the book at his website: http://www.noisegrains.com/?page_id=237 Book topics I History The Beginnings Music and Early Twentieth-Century Luminous Instruments Abstract Films Music and Abstract Art Electronic Art II Contemporary Developments Animations and Videos Installations Performances Language Appendix Synesthesia

http://centerforvisualmusic.org/Symposium/CFP.html PRESS RELEASE from CVM: CFP: CVM Symposium 2018 Exploring and Preserving Visual Music In association with Sonoma State University Rohnert Park, Sonoma County, California August 14-16, 2018 Deadline for submissions: March 23, 2017 Website:  http://centerforvisualmusic.org/Symposium/CFP.html Center for Visual Music ( CVM ) is pleased to announce its call for paper submissions for a Symposium on Visual Music, August 14-16, 2018, in association with Sonoma State University. The symposium will explore the theories, histories, and practices of visual music. It features two days of keynote talks and presentations from international scholars, artists, curators and students, plus a final half day of special sessions and a roundtable workshop on August 16. A series of screenings occur throughout, featuring historic and contemporary visual music works. Set in Sonoma County’s wine country, the symposium also features sever...

Oskar Fischinger: Visual Music CVM (Center for Visual Music) has just released a new Oskar Fischinger DVD available now to order from CVM, entitled:  Oskar Fischinger: Visual Music The DVD features the following works: Study no. 2, c. 1930, silent Study no. 5, 1930 Study no. 8, 1931 Coloratura, 1932 Muratti greift ein (Muratti Marches On), 1934 Swiss Trip (Rivers and Landscapes), 1934 Komposition in Blau (Composition in Blue), 1935 ( excerpt online ) An American March, 1941 with bonus features: Pierrette I, 1924-26 1920s-30s Home Movies and Experiments, Berlin (black and white) Squares fragment (1934) and various 1930s color animation tests, image below (note, Squares image is from original artwork painted for the film) "Concerto" and newly discovered animation tests made in Hollywood, 1945-46 - TRAILER showing one test from this reel Excerpts from 8mm Home Movies at Wonderland Park, Los Angeles (c. 1959-1962) ORDER INFORMATION For more informa...

The bi-annual Seeing Sound Symposium is seeking works and papers for its forthcoming symposium to be held in Bath Spa University, UK The deadline is VERY soon - tomorrow the 19th January 2018 has been extended to 24th January 2018 - so time to get your entries in. Please do get your paper ideas and or works submitted for consideration for this exciting and worthwhile event. Visit: http://www.seeingsound.co.uk/2018-2/seeing-sound-2016-submissions/ to submit. Seeing Sound Website:  http://www.seeingsound.co.uk/ PRESS RELEASE: "Seeing Sound will return for its 5th edition on the 23rd-25th March 2018. We are now open for submissions of papers and audiovisual work, deadline 19th Jan! Seeing Sound is an informal practice-led symposium exploring multimedia work which foregrounds the relationship between sound and image. It explores areas such as visual music, abstract cinema, experimental animation, audiovisual performance and installation practice through paper session...