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Showing posts from February, 2014

Contact - Augmented Acoustics

Felix Faire (UK), a Parametric System Designer had designed some very interesting interactive installations. One of these, Contact is an interface with which to manipulate and visualize sounds. Beautiful results. View Contact: Augmented Acoustics CONTACT: Augmented Acoustics from Felix Faire on Vimeo . "CONTACT is a tangible audio interface to manipulate and visualize sounds generated from interaction with a simple wooden surface. Any physical contact with the table generates acoustic vibrations which are manipulated and visualized LIVE as they occur using several communicating pieces of software. All code will be opensource and available on github. Bartlett School of Architecture Msc AAC Tutor: Ruairi Glynn" More information: http://www.coroflot.com/felixfaire/profile Vimeo Channel: https://vimeo.com/felixfaire

Force.Line.Border by Casey Farina

Force.Line.Border by Casey Farina is a beautiful audiovisual work that consists of an animated score where the movie serves as the score for three musicians who interpret a section of the screen. The design of the visual composition and the simplicity of the idea to work with three ideas/parameters of force, line and border is combined with the percussive sounds and motions so elegantly. Work : Force.Line.Border Author : Casey Farina Date : Percussion : Douglas Nottingham, Joe Perez, and Robert Esler "Black = Sound White = Silence Force.Line.Border. is an animated graphic score for a trio of indeterminate instrumentation. This work is the latest in a series of animated graphic scores that builds on the concepts developed by John Cage, Morton Feldman, Cornelius Cardew, and Earle Brown for using abstract visual imagery to define musical events. The animated score is projected into the space and the musicians perform composed improvisations derived from their interpretation...

Robert Henke - LumiĆØre

LumiĆ©re - An audiovisual live performance with laser projections "Three powerful white lasers draw rapid successions of ephemeral objects, seemingly floating in space. The data used to draw the shapes is transformed into audible frequencies. Laser patterns and sonic treatments are performed as an improvised dialog between the artist and the audiovisual machine. LumiĆØre is an exploration of synchronicity and divergence, of light and darkness, movement and sound at the limits of perception." Source: http://www.monolake.de/concerts/lumiere.html LumiĆ©re Technology Information Quote from technical page: "The lasers are controlled with analog signals, created in MaxMSP. These signals are technically the same type of signals used for audio, but they serve a different purpose and are usually not intended to be made audible. They rather control the movement of extremely fast and precise mirrors and the intensity of the laser beams and by doing so allow me to draw ...