Visual Music

QUBY QUBY from tsaworks_martin Böttger on Vimeo . Martin böttger, Germany has several videos on Vimeo - some of these are also installations. Excellent work and great audio visual connections.  This video he created with Maya. His Blog: tsaworks Of his many video excerpts on vimeo, this work creeated in collaboration with Bruno Dias is wonderful - such tight 3D integration with the audio. Tractor TRACTOR from tsaworks_martin Böttger on Vimeo .

There are some really interesting vimeo channels showcasing contemporary work in the audio visual field. These channels are a great opportunity to see what is going on with audio visual work/art/music today. They also demonstrate how many different fields that audio visual works are taking place in - such as in installation settings, as interfaces, in gallery spaces, as films and animations led by music collaborations and music label collaborations - there are just so many ways now in which audio and visual are being put together...I like to still call all these approaches visual music. (Author Comment) Experimental Motion Graphics Channel http://vimeo.com/channels/motiongraphics Designflux http://vimeo.com/channels/designflux "Designflux exists as a quarterly publication, bringing together interviews, reviews and portfolios of the best in contemporary motion design. This channel acts as a means to showcase work we are watching at Designflux as well as to publish special informat...

This demonstration of an intereactive surface for VJing is excellent. The purpose of this interface is as said by Stuart Taylor on his vimeo page. "VPlay is an interactive multi-touch surface designed to open up the practice of VJing, encouraging new creative dialogues to be formed between VJs and members of the audience." http://vimeo.com/2738692 VPlay: An Interactive Surface for VJing from Stuart Taylor on Vimeo .

NEW VISUAL MUSIC RESOURCES from Ron Pellegrino Ron Pellegrino's website has an extensive amount of resources that are of great relevance for any studies into visual music and visual music visualisers.  Not only does it document his own work, but also provides links to his writings on the area of music and visual studies and writings and resources on visual music. For example some really excellent resources can be found linked from the homepage of his website - http://www.ronpellegrinoselectronicartsproductions.org/ Topics and Resources such as: Visual Music Compositional Thinking Of interest is his recent writings and resources and a book and DVD now available. EMERGENT MUSIC AND VISUAL MUSIC: INSIDE STUDIES - BOOK and DVD - 2009 Some new visual music resources from Ron Pellegrino that should be of interest to music visualizers: Just released on Amazon.com  and now available are  EMERGENT MUSIC AND VISUAL MUSIC: INSIDE STUDIES Part 1: The Book P...

Applying Concepts of Musical Consonance and Dissonance to Colour An edited version of this article was published in the May 2004 edition of the journal Leonardo (Vol. 37, No. 2) K atherine Lubar is a painter and musician who applies concepts of musical consonance and dissonance to the use of colour in her paintings. This article on colour intervals is a most comprehensive account of how she does this in her work, it is also an excellent article documenting a colour to music interval correspondence. (Author Comment) "After comparing the colour intervals to their musical counterparts, I do feel they share something in common — the colour intervals don’t have the same character as each of the musical intervals, but both seem to follow a similar pattern in terms of which work harmoniously and which don’t. In addition, I have realized, from this research, the importance of the element of contrast to both visual and musical compositions. So while these correlations may not all work on ...

Preserving Visual Music - By Holly Willis - May 8, 2009 "After more than 70 years and the explosion of visual culture, the stunning animated films of Oskar Fischinger remain unparalleled. Fischinger, who emigrated to Los Angeles from Germany in 1936 and became one of the city's central figures in a burgeoning avant-garde filmmaking community, created dozens of dazzling visual explorations of sound... This question is tackled head-on by Cindy Keefer, Director of LA's Center for Visual Music, which is dedicated to this particular genre of experimental film... one of the Center's key objectives is preservation. In this context, CVM recently announced that it has received funds from the Avant-Garde Masters Grant (which is funded by The Film Foundation and managed by the National Film Preservation Foundation) to preserve three reels of Fischinger's original 35mm nitrate film experiments from his Raumlichtkunst multiple projector performances of the 1920s." Extracts...

Being Irish of course, I am aware and familiar with contemporary music composition in Ireland.  I hope to make more posts about music composition or things musical that could be helpful for visual music or audio visual work. Ronan Guilfoyle is one of the prominent contemporary composers working in Ireland today, he is also a Acoustic Bass Guitarist and Educator. It has always been of interest to me that Visual Music has at its core a strong consideration for music composition or a musical thinking to composition. What is it that is being explored with visuals that is so musical - one of the more important elements is rhythm - how time is handled. Ronan has written some essays on the subject of rhythm in relation of course to music composition and jazz in particular. They are available to check out on his website. (Author comment) The essays on rhythm - some of the titles listed on his website - such as  'creative rhythmic concepts for jazz improvisation; the rhythm boo...