Visual Music

History of Ideas Short animations to explain some big questions around freewill, beauty and good and evil. "A fresh take on the History of Ideas as big subjects like beauty, freedom, technology and morality get dissected by a team of thinkers. Philosophers, theologians, lawyers, Neuroscientists, historians and mathematicians join Melvyn Bragg to present a history in many voices." See link to all animations in the series http://www.bbc.co.uk/programmes/articles/3vVjcY47k2p5Wsnj3ZFHV5W/a-history-of-ideas Example Animation Edmund Burke and the sublime "Some things that move us are beautiful, others are sublime. But the sublime moves us more profoundly than the beautiful. See how Edmund Burke tied the experience of the sublime to the possibility of pain and how the idea went on to influence the artistic Romanticism movement. Voiced by Harry Shearer. Scripted by Nigel Warburton." Source: http://www.bbc.co.uk/programmes/p02b8t1k BOOK: ...

"lectures, workshops and panel discussions on sound art, sound design and the interdependence of aesthetics and technology" http://www.klangsymposium.de/ Hamburg University of Applied Sciences and the Audio Engineering Society Hamburg Student Section are inviting to "klingt gut! / sounds good!" symposium on sound, June 4-6 2015 at the Arts and Media Campus Hamburg. During 3 days, topics from sound design and sound art to electroacoustic music in combination with visual design are discussed in lectures, workshops, panel discussions and presentations.  Until April 12, 2015.  Submissions for a proposal for a conference contribution or artwork, lectures and tutorials as well as proposals for audiovisual presentations (e.g. film sound design, installation, sound art­) are welcome. DEADLINE FOR SUBMISSIONS: April 2015 Visit website for more information: http://www.klangsymposium.de/

The deadline for submitting papers for this forthcoming conference on research and creation outcomes about visual music is TODAY - March 9th, 2015. http://uvm2015.unb.br/ "UNDERSTANDING VISUAL MUSIC - UVM 2015” June 10-12, 2015 at University of Brasilia, Brazil DEADLINE for submissions: March 9, 2015. The Computer Art Research Laboratory of the University of Brasilia (Brazil) in association with the Electronic Arts Research and Experimentation Centre (CEIArtE) of the National University of Tres de Febrero (Argentina) and Concordia University (Canada) is pleased to invite you to submit proposals to share your research and creation outcomes as well as to discuss concepts, current trends, technological innovations and creativity aspects of visual music. "Understanding Visual Music - UVM" was born from the idea of knowing better the conceptual roots of visual-music. The first edition of UVM was held in Montreal, 2011 ( http://uvm2011.hexagram.ca ). In 2013 the...

The Montreal Videomusic Festival 2015 are now inviting proposais for videomusic compositions. The Festival will take place in April 2015 in Montreal, Canada. Deadline is very close - March 10th 2015 For more information visit the facebook page. https://www.facebook.com/events/857820210945198 Information from facebook page is posted below: Montreal Videomusic Festival 2015 CALL FOR WORKS April 10-11-12, 2015 Espace Notre-Dame, Montreal, Canada We are now inviting proposals for videomusic compositions. GENERAL INFORMATION - International works will be presented during three days - Live audiovisual performances on evenings - Special Vitrine to Montreal based students SUBMISSION DEADLINE : March 10th 2015 FEES Free submission and registration. SUBMISSION We invite submissions for compositions of videomusic that are related the following practices : - Electroacoustic or experimental music - Sonic art - Animation - Visual art, photography Maximum of 2 works ...

KIMA - music like you’ve never seen before Evolution of Motion, Sound, Geometry and Colour by Analema Group and the Union Chapel Organ Project With Special Guests: Claire M Singer - Organ Joby Burgess – Percussion (Powerplant) Estela Merlos - Dance Laura Moody – Cello (Elysian Quartet) Robert Ames- Viola (LCO) Emily Burn – Voice (Voice) Date of performance: 22 March 2015 – 20.00 pm, doors 19.00 pm Place: Union Chapel, Compton Terrace N1 2UN, London Booking: Tickets: £10/£7 conc. + advanced booking fee via http://www.unionchapel.org.uk Programme (with 2 intervals) MARE UNDARUM AXIS MUNDI AURORA Music for your eyes and ears. Based on a natural phenomena, brought to life using leading technology - KIMA paints music in light on the incredible architecture of the Union Chapel. In collaboration with contemporary music’s foremost talents, Analema Group and the Organ Project present a unique audio-visual performance, centred around the Henry Willis Organ (187...

Title: videomusic concert Date: 15th February, 2015 Organisers: CEC, Dias de Música Electroacústica festival, Curation Joseph Hyde. The CEC (Canadian Electroacoustic Community) has programmed three concerts in the 21st edition of the Dias de Música Electroacústica festival () in Seia, Portugal, from 13–15 February, 2015. The videomusic concert which is one of the three concerts programmed by CEC for this festival is curated by Joseph Hyde and consists of recent videomusic works. This concert will take place on the 15th February, 2015. See facebook page:  http://facebook.com/564944106975362 This videomusic works concert is also a followup to the publication in the April 2014 issue of eContact! 15.4. — Videomusic: Overview of an Emerging Art Form / Vidéomusique: aperçu d’une pratique artistique émergente. Many of the names on the programme can be found in this issue of eContact!. http://cec.sonus.ca/econtact/15_4 The programme for the videomusic concert is ...

Capital Irish Film Festival: Music and Multimedia Concert - Washington DC A  music and multimedia concert curated by composer Sarah O'Halloran as part of the Capital Irish Film Festival (CIFF) showcases a selection of fixed-media works featuring original music and original moving images by mainly Ireland based composers and moving image artists. "Enjoy opera with animation, Irish dance with sound art, and abstract video art with ambient electronics then vote for your favorite piece. The makers of the Audience Choice work will win a $1500 prize." Date: Saturday, February 7, 2015 from 5.00 to 6.30pm at the Goethe Institut, Wachington DC, US. See website for more information and for booking details: http://www.solasnua.org/calendar/music-and-multimedia Brochure for the Capital Irish Film Festival http://www.solasnua.org/s/CIFF-Brochure-13-Jan-2015.pdf Capital Irish Film Festival http://www.solasnua.org/ciff Music and Multimedia Programme : (source we...

Visual Music Award 2015 - Call for Entries NOW Starting right now  - submission deadline May 15th 2015 The  Visual Music Award 2015  is a junior creative competition for works on music visualizations from the fields of new media art, experimental film or animation. We invite you to participate with your work for the Visual Music Award 2015  Call for Entries 2015 .  The  submission deadline  is on friday   May 15th 2014 . As submissions to the Visual Music Award 2015 and the Visual Music Live Contest 2015 we expect interpretations of music by visionary artistic visualisations. The holistic media compositions should come close to "paintings in time", "visual music", "symphonies of light and sound", "cinematic paintings", "color light music" or "space light art". This year's prize winners and awardees will receive a certificate and also prizes by our sponsors as well as a unique presentation of their works ...

"Jan Mayen" is the title for a music video directed by Michael Fragstein at Büro Achter April for Boozoo Bajou´s Album '4'. The video is really beautiful. Abstract as the director says just like the music. There are some really lovely animations of forms into and out of other forms and I love the colour combinations. Very intersting work being created by Michael and his team at Büro Achter April, they are based in Stuttgart, Germany. Work divided into stills, motion, design engineering and interactive with the really relevant subtitle "Digitale Form". More information: Michael Fragstein at Büro Achter April: http://8apr.de/studio.html Vimeo: https://vimeo.com/59911840 Boozoo Bajou: http://www.boozoobajou.com/ Vimeo embed of Jan Mayen JAN MAYEN, BOOZOO BAJOU from Michael Fragstein on Vimeo .

The 4th Moscow international light and multimedia festival «Circle of Light» will be held from 11th to 14th October, 2014 in Moscow, Russia. The festival will include a selection of works from the international call for works for the International Projection Mapping Art Vision Contest. The theme of the competition is "Light around the world". The Contest of 2014 will be held in three different locations that will be divided according to the general idea of projections shown: VDNH Pavilion 1 Art Vision Classic http://lightfest.ru/en/art-vision-contest/classic/ VDNH Pavilion 12 Art Vision Modern http://lightfest.ru/en/art-vision-contest/modern/ VDNH Pavilion 32 + Full scale model of Rocket Art Vision VJing Battle http://lightfest.ru/en/art-vision-contest/vj/ During the contest, mapping video design groups from all over the world will be able to fully demonstrate their vision of 3D mapping video projections. The Exhibition of Achievements of National Economy” ...

" Visual hearings, a synesthetic experience " is an online international group exhibition curated by Enrique Salmoiraghi. The online exhibition is based in Argentina. It will be online from July 2014 to October 2014. The exhibition consists of visual music works and in particular audio-visuals experiments in reactivity. For more information visit the online exhibition at: http://www.espaciobyte.org/espaciobyte.php?cat=108

Reconstruction of Ballet Tradico from the Margarete Hastings sketches. A very interesting website (in French) - an online research website of the work of Oskar Schlemmer at: http://triadicos.wordpress.com/ A really interesting seminar - Rerunning Ballet Tradico Seminar "the seminar is intended as a space for reflection on the creation stage, particularly on what some call "broad-ranging dance reconstruction" and that we are more interested in the processes that determine results, we have called "rerunning" a term that assumes more open as interpreter of anyone who wants to rerun a past stage work." http://triadicos.wordpress.com/seminario-de-reejecucion/ Oskar Schlemmer Drawings: http://triadicos.wordpress.com/bocetos-2/ Useful links and resources http://www.thecityreview.com/bauhaus.html http://www.moma.org/interactives/exhibitions/2009/bauhaus/Main.html# Video of the reconstruction of Triadic Ballet made ​​by Margarete Ha...

Felix Faire (UK), a Parametric System Designer had designed some very interesting interactive installations. One of these, Contact is an interface with which to manipulate and visualize sounds. Beautiful results. View Contact: Augmented Acoustics CONTACT: Augmented Acoustics from Felix Faire on Vimeo . "CONTACT is a tangible audio interface to manipulate and visualize sounds generated from interaction with a simple wooden surface. Any physical contact with the table generates acoustic vibrations which are manipulated and visualized LIVE as they occur using several communicating pieces of software. All code will be opensource and available on github. Bartlett School of Architecture Msc AAC Tutor: Ruairi Glynn" More information: http://www.coroflot.com/felixfaire/profile Vimeo Channel: https://vimeo.com/felixfaire

Force.Line.Border by Casey Farina is a beautiful audiovisual work that consists of an animated score where the movie serves as the score for three musicians who interpret a section of the screen. The design of the visual composition and the simplicity of the idea to work with three ideas/parameters of force, line and border is combined with the percussive sounds and motions so elegantly. Work : Force.Line.Border Author : Casey Farina Date : Percussion : Douglas Nottingham, Joe Perez, and Robert Esler "Black = Sound White = Silence Force.Line.Border. is an animated graphic score for a trio of indeterminate instrumentation. This work is the latest in a series of animated graphic scores that builds on the concepts developed by John Cage, Morton Feldman, Cornelius Cardew, and Earle Brown for using abstract visual imagery to define musical events. The animated score is projected into the space and the musicians perform composed improvisations derived from their interpretation...

Lumiére - An audiovisual live performance with laser projections "Three powerful white lasers draw rapid successions of ephemeral objects, seemingly floating in space. The data used to draw the shapes is transformed into audible frequencies. Laser patterns and sonic treatments are performed as an improvised dialog between the artist and the audiovisual machine. Lumière is an exploration of synchronicity and divergence, of light and darkness, movement and sound at the limits of perception." Source: http://www.monolake.de/concerts/lumiere.html Lumiére Technology Information Quote from technical page: "The lasers are controlled with analog signals, created in MaxMSP. These signals are technically the same type of signals used for audio, but they serve a different purpose and are usually not intended to be made audible. They rather control the movement of extremely fast and precise mirrors and the intensity of the laser beams and by doing so allow me to draw ...

Day 2 of PuntoyRaya and Reykjavik Visual Music Festival happening today - January 31st, 2014 Visit:  http://www.puntoyrayafestival.com/en/schedule/friday#ag for more information Join their facebook page for stunning photographs from the opening night of the festival January 30th 2014 and some stunning live cinema/ audiovisual photographs from this event. https://www.facebook.com/rvmfestival

s+v+m Blog - Resource for sounds-visual-movement Rodrigo Carvalho Excellent resource in this blog by Rodrigo Carvalho of VISIOPHONE. In particular Carvalho uses the blog to keep a notebook on sounds-visual-movement topics (like a sister of this blog!) Really great articles on live performance work. To quote: "This blog intends to work as notebook for my research on synergies between Sound-Visuals-Movement, audiovisual interactive systems, augmented realities, graphic representations of sound and movement in real time, hypersensory immersive media and synaesthesia states." His recent post on graphic sound visualisers is just brilliant (courtesy of a facebook post one of the leaders in the field of live audio-visual performance, Max Hattler ) http://s-v-m.tumblr.com/post/74852362487/graphic-sound-visualizers-viii Blog URL: http://s-v-m.tumblr.com/ Other websites by Rodrigo Carvalho www.visiophone-lab.com www.twitter.com/visiophone-lab www.vimeo.com/vis...

Solas Nua: Call for Music and Multi-Media Works from Irish contemporary artists "Solas Nua ( www.solasnua.org ) was founded in 2004 to present the best of Irish contemporary arts to audiences in the United States. We invite Irish composers and media artists to submit pieces which combine original music and multi-media to be shown in Washington D.C. in Autumn 2014. Selected works will be eligible for a $1500 prize, which will be based on audience votes. DETAILS: Closing Date: August 15th 2014 Duration: Works shorter than 6 minutes are preferred, but longer works will be considered. Solas Nua plans to show selected works in a concert event, and may also display works at a D.C. visual arts venue. This opportunity is open to Irish-born, and Irish-resident artists of any age. Artists from both Northern Ireland and the Republic of Ireland are encouraged to apply. Submissions must feature the work of one Irish artist, and may feature the work of additional international col...

Visual Music Award 2014 Submission deadline: February 28th 2014 The "Visual Music Award 2014" is a creative competition for works on music visualizations from the fields of new media art, experimental film or animation. The Visual Music Award team invite you to participate with your work in this year's "Visual Music Award 2014" Please visit: http://visual-music-award.de/en for more information on how to submit your work "The Visual Music Award 2014 submission deadline ends on February 28th 2014 - The award ceremony will take place on March 28th 2014 in GeAs contributions to the "Visual Music Award 2014" and the "Visual Music Live Contest 2014" we expect interpretations of music by visionary artistic visualisations. The holistic media compositions should come close to "paintings in time", "visual music", "symphonies of light and sound", "cinematic paintings", "color light music...

Johnathan Gillie's animations are such surreal worlds which animate in the most unusual manner where many things exist at different times and in different spatial locations with their own temporal appearance and disapearance, for his work 'Ways of seeing' he considers the physiological processes involved in the act of seeing itself. Very beautiful and intriguing work. Ways of Seeing A Broken Bell  He has been working in Moving Image since 1995. Is involved with Trampoline Multimedia 1997-2000 and is one half of av_dv 1999-2004. He is currently employed as Senior Technician in Moving Image Dept of NTU.  His current practice involves video, animation, computer graphics and sound production. More Information Johnathan Gillie - [Creative Journal  Website ] [ Vimeo ] WATCH ON VIMEO Ways of Seeing Ways of Seeing from Jonathan Gillie on Vimeo . Information about Ways of seeing from vimeo page. "Ways of Seeing is an experiment using a strobe process to...

I have just come across the work of Andreas Karaoulanis. His animations are 'stop me in my tracks' beautiful. I have watched some from his vimeo channel, but felt I must post this to keep track of this great work. Why do I like it? The illustrations in a moving collage type style are so rhythmic. The movements and the flat arrangement of objects and cut outs in a formless and groundless space, in fact, the space is just a background colour in many works, is perfectly in tune with the musicality of the music, not just a synchronised beat but a whole mood, style and playfulness that may not even be apparent in the music, if one listened to the music on its own, but emerges with his playful rhythms and arrangement and positioning of independent yet connected to each other graphic elements. This is really wonderful choreography and movement. Biography "Andreas Karaoulanis comes from a Computer Science studies and Animation. His current work deals with interact...

UCSB Media Arts and Technology (MAT), Center for Visual Music (Los Angeles), and Corwin Chair, UCSB Department of Music, present  Exploring Visual Music - A special one day Symposium November 16, 2013 University of California, Santa Barbara 11 am, CSNI, Elings Hall, Lab 2611 "To further the development of new modes and technologies for representation and creation in the field of Visual Music, MAT, CVM and Corwin Chair present a one-day symposium investigating the aesthetics, techniques and histories of visual music. The event at UCSB includes a series of 20 minute talks by invited presenters, plus short screenings of historical and contemporary visual music films. Presenters include Clarence Barlow, Cindy Keefer, Jack Ox, Casey Mongoven, and special guest Barbara Fischinger." Source: http://centerforvisualmusic.org/ExploringVM/ PROGRAM 11 am Welcome remarks by Clarence Barlow, UCSB; Introduction to program by Cindy Keefer, Center for Visual Music, plus 2 open...

Matthew Biederman's work Event Horizon , multichannel HD video, 4.1 audio, custom software, computers 2012, is an incredible sensation of colour. And what can I say but put it that way - a sensation of colour. Commissioned for: 1st Biennial of Digital Art, Montreal and Presented at: Salle McLaren, Cinematheque Quebecqoise May 3 - June 10, 2012. An interview about it is included in the recent Sonic Acts Catalogue, 2013, Dark Universe More information on the work:  http://www.mbiederman.com/Event-Horizon "The work metaphorically explores the phenomenon of the ‘event horizon’. Understood scientifically, the term refers to the space-time beyond which events cannot affect an observer. The most common situation where this occurs naturally are the edges of a black hole, where beyond the event horizon, no light escapes and can therefore not be observed. Taken metaphorically, the event horizon can be understood as the point of perception itself. Event Horizon reflects on the...

SoundImageSound 10 ~ Festival of New Music and Visual Image January 30/31, 2014 Conservatory of Music ~ University of the Pacific ~ Stockton, California Call for Works: This year SoundImageSound celebrates its tenth season with presentations of works by artists who bridge sound and visual image in the creation of compositions sometimes referred to as visual music or intermedia. The festival again hosts an open submission process for new works by artists from around the globe. In honor of its tenth season, SoundImageSound welcomes guest artist Jaroslaw Kapuscinski to the festival. Composer, performer, and intermedia artist, Kapuscinski is on the faculty of Stanford University where he directs the Intermedia Lab at CCRMA. During the festival he will speak about the creation of Linked Verse, an evening-length work that fuses sound and image. Its music is a concerto for cello, Japanese shō, and spatialized sound while its visual landscape is a live rendering of 3D projections ...

Exhibition Reflections from Damaged Life. An exhibition on psychedelia at Raven Row, London Exhibition tour with Lars Bang Larsen Thursday 31 October, 6.30pm Lars Bang Larsen will lead a tour of the exhibition Reflections from Damaged Life. An exhibition on psychedelia in conversation with Alex Sainsbury. This event is free but booking is essential as space is very limited. Please email info@ravenrow.org to reserve a place. Reflections from Damaged Life. An exhibition on psychedelia Exhibition continues until 15 December 2013 To many artists in the sixties who referred to the counterculture, or who used hallucinogenic drugs as an artistic tool, the term ‘psychedelic’ was seen as compromised and the idea of a ‘psychedelic art’ resisted. It is for this reason that ‘psychedelic art’ cannot be easily categorised as a genre; neither can it be understood as an entirely overlooked art form. This exhibition sets out to question what ‘psychedelic art’ might be, and reassess t...